thu 19/06/2025

Boyd Tonkin

Articles By Boyd Tonkin

Manon Lescaut, English Touring Opera review - a nightmare in too many ways

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Lugansky, Strasbourg Philharmonic Orchestra, Letonja, Cadogan Hall review - Russian soul, French flair

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Segev, LPO, Lyniv, RFH review - melody, magic, and mourning

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Williams, Kenny, Wigmore Hall review - an afternoon of early-Baroque bliss

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Gerhaher, Huber, Wigmore Hall review - new colours from old favourites

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Polyphony/OAE, Layton, St John's Smith Square review - truncated triumph

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London Handel Players, Butterfield, Wigmore Hall review - Bach with bite for Christmas

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Mariam Batsashvili, Wigmore Hall review - spectacular pianism, with a sense of fun

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I Fagiolini, Hollingworth, St Martin-in-the-Fields review - it's not the Messiah...

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Morison, Immler, BBCSO, Bychkov, Barbican review - a Kafka journey and a mighty landmark

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West-Eastern Divan Ensemble, Michael Barenboim, QEH review - enchantment and conviviality

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Perfection of a Kind: Britten vs Auden, City of London Sinfonia, QEH review - the odd couple

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Frang, Bayerisches Staatsorchester, Jurowski, Barbican review - on the summit

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Aimard, Concerto Budapest SO, Keller, Cadogan Hall review - lords of the dance

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Prom 65: Bruckner's Eighth, BBCSO, Bychkov review - a friendly giant

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Prom 49: Schumann, Das Paradies und die Peri, LSO, Rattle review - knocking on heaven's door

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The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...