thu 19/06/2025

Boyd Tonkin

Articles By Boyd Tonkin

Messiah, Academy of Ancient Music, Cummings, Barbican review - once more, with real feeling

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Bach Mendelssohn Festival, Part I, Oxford Philharmonic Orchestra review - the flame that never died

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La Serenissima, Wigmore Hall review - an Italian menu to savour

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Bach Brandenburg Concertos, OAE, QEH review - forever young

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Rigoletto, English National Opera review - another hit for Miller's Mob

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Aurora Orchestra, Collon, Drumsheds review - surround-sound magic in the super-club

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Kaleidoscope Chamber Collective, Hatfield House review - musical dreams in marble halls

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BBC Singers, BBCSO, Jeannin, Barbican review - from stormy weather to blue skies

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The Snowmaiden, English Touring Opera review - a rich harvest with modest means

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Hough, Philharmonia, Rouvali, RFH review - where the wild things are

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Wang, Lapwood, LSO, Pappano, Barbican review - grace and power from two keyboard heroines

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Prom 71, Seong-Jin Cho review - refined Romantic journeys

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Prom 61, Bavarian Radio Symphony Orchestra, Rattle review - Bruckner without tears

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Prom 40, St John Passion, Bach Collegium Japan, Suzuki review - finesse and feeling

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Prom 37, War Requiem, Clayton, Liverman, Romaniw, LSO, Pappano review - terror and tenderness

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Prom 31, Mutter, West-Eastern Divan Orchestra, Barenboim review - beauty against barbarism

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The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...