wed 18/06/2025

alexandra coghlan

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Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

Written On Skin, Melos Sinfonia, LSO St Luke's review - an ambitious musical achievement

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Hansel and Gretel, Pop-Up Opera review - salty-sweet production takes wry pleasure in classic fairytale

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Prom 51 review: Perianes, BBCSO, Oramo - brightly coloured musical postcards

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King Lear, Shakespeare's Globe - Nancy Meckler's Globe debut is unusually subdued

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Prom 33 review: Davidsen, Gerhardt, BBC Philharmonic, Storgårds - Nordic music glowing with colour

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Prom 14 review: BBCSSO, Wilson - illusion after illusion from musical conjurer

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Much Ado About Nothing, Shakespeare's Globe review - swaggering Shakespeare with a comic Spanish accent

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Prom 7 review: Weilerstein, BBCSO, Weilerstein - new cello concerto enthrals

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Queen Anne, Theatre Royal Haymarket review - slow, long and dull

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Hamlet, Harold Pinter Theatre review - dislocatingly fresh makeover

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A Midsummer Night's Dream, Snape Maltings

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Radamisto, Guildhall School, Milton Court

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Twelfth Night, Shakespeare's Globe review - Emma Rice goes out with a bang

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Ariodante, The English Concert, Bicket, Barbican

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Monteverdi Vespers, Vox Luminis, FBC, St John's Smith Square

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Lise Davidsen, James Baillieu, Wigmore Hall

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If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

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Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

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It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

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A look at Darling on its 60th anniversary offers a sobering reality check on the "...