thu 18/09/2025

alexandra coghlan

alexandra.coghlan's picture
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

The Winter's Tale, Shakespeare's Globe review - clever concept never quite catches fire

Read more...

The Rake's Progress, Royal Academy of Music review - Hogarth's Rake enters the digital age

Read more...

La rondine, If Opera review - a bold opening gambit from a company changing the business of opera

Read more...

Sir John in Love, British Youth Opera review - a delicious end-of-summer treat

Read more...

Prom 19, Hallé, Elder review - cinematic drama, and plenty of it

Read more...

Mavra/Pierrot Lunaire, Linbury Theatre review - operatic madness tempered with plenty of method

Read more...

Opera Triple Bill, Royal Academy Opera review - three centuries of female suffering

Read more...

The Comedy of Errors, RSC, Barbican review - Shakespearean Christmas panto

Read more...

Die schöne Müllerin and The Alehouse Sessions, Middle Temple Hall review - overflowing musical energy and joy

Read more...

The Magic Flute, Royal Opera review - all but a guarantee of a great night out

Read more...

Chiejina, Sinfonia of London, Wilson, BBC Proms review - a musical arrival for a special favourite

Read more...

Ólafsson, Philharmonia, Järvi, BBC Proms review - a ravishing Proms debut

Read more...

Kolesnikov, Aurora Orchestra, Collon, BBC Proms review - dazzling musicianship and insight

Read more...

Hansel and Gretel, British Youth Opera review - chaotic rewrite of a classic opera misses the mark

Read more...

The Two Character Play, Hampstead Theatre review - tender, poetic and piercingly cruel

Read more...

Current, Rising, Royal Opera House review - a joyful celebration of storytelling possibility

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
The Producers, Garrick Theatre review - Ve haf vays of makin...

Unexpectedly, there’s a sly reference to James Joyce’s Ulysses interpolated into Act One (in case we hadn’t caught the not...

Appl, Levickis, Wigmore Hall review - fun to the fore in cab...

Concerts at the Wigmore Hall offer many types of pleasure, but not...

Album: The Divine Comedy - Rainy Sunday Afternoon

Neil Hannon has been recording and touring as the Divine Comedy since 1989 and has tried a fair few flavours along the way, from chamber pop to...

Lammermuir Festival 2025, Part 2 review - from the soaringly...

My colleague Boyd Tonkin visited the Lammermuir Festival for the first time this year. His eyes and ears have been opened to its treasures, but...

Frances Wilson: Electric Spark - The Enigma of Muriel Spark...

How do you tell the story of a person’s mind? In the preface to Electric Spark: The Enigma of Muriel Spark, published this year by...

Blu-ray: The Sons of Great Bear

Westerns had long been popular with German cinema audiences, some of the most successful being early 1960s West German adaptations of novels by...

Spinal Tap II: The End Continues review - comedy rock band f...

That difficult second documentary – or if you will, “rockumentary” – seems to have been especially challenging for...

Tosca, Welsh National Opera review - a great company reduced...

So it’s come to this: WNO’s autumn season reduced to two operas, a Tosca borrowed from Opera North and a revival of their own Candide...