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aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Go Bang Your Tambourine, Finborough Theatre review - out-dated and long-winded

Thursday, 08 August 2019 Read more...

The Night of the Iguana, Noël Coward Theatre review - Clive Owen and Lia Williams burn bright

Wednesday, 17 July 2019 Read more...

Seven Methods of Killing Kylie Jenner, Royal Court review - memes, memories and meanings

Tuesday, 09 July 2019 Read more...

Rust, Bush Theatre review - slender yet invigorating

Tuesday, 02 July 2019 Read more...

Europe, Donmar Warehouse review - timely, tender, brutal and brilliant

Friday, 28 June 2019 Read more...

The Hunt, Almeida Theatre review - tense Scandinoirland drama

Thursday, 27 June 2019 Read more...

Bitter Wheat, Garrick Theatre review - Malkovich monologue is more chaff than wheat

Thursday, 20 June 2019 Read more...

Citysong, Soho Theatre review - big writing, big heart

Wednesday, 19 June 2019 Read more...

Wife, Kiln Theatre review - queer epic is joyful and intense

Wednesday, 05 June 2019 Read more...

Rutherford and Son, National Theatre review - authentic northern tale

Tuesday, 28 May 2019 Read more...

ANNA, National Theatre review - great thriller, shame about the tone

Wednesday, 22 May 2019 Read more...

salt., Royal Court review - revisiting the Atlantic slave trade

Saturday, 18 May 2019 Read more...

White Pearl, Royal Court review - comic racial stereotypes

Friday, 17 May 2019 Read more...

Small Island, National Theatre review - fun epic takes ages to warm up

Friday, 03 May 2019 Read more...

Jude, Hampstead Theatre review - Greek tragedy for today

Friday, 03 May 2019 Read more...

The Half God of Rainfall, Kiln Theatre review - titanic war of the gods

Wednesday, 01 May 2019 Read more...

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'We are bowled over!' Thank you for your messages... ...
Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★★...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ★★★...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...