tv
Prisoners of War, Sky Arts 1Friday, 11 May 2012
This is, as you may have heard, the Israeli TV series which provided the inspiration for Homeland, smartly snapped up by Sky Arts to plug the gap left by the latter after last weekend's finale. And guess what - it may be even better than its Hollywood spin-off. Read more... |
Sporting Heroes: After the Final Whistle, BBC OneThursday, 10 May 2012
It’s a funny old game. Sport rewards the talented when they are young and their bodies responsive. A profession which requires the reflexes to work in instant harmony with the brain means that beyond a certain age, the gifted become instantly unemployable the moment they lose their magic powers. A case of they don’t think it’s all over: it is now. Read more... |
Cardinal Burns, E4Wednesday, 09 May 2012
It's always a pleasure to watch comics first seen and enjoyed playing a tiny room at the Edinburgh Fringe make their television debut; it's an even greater pleasure to see two immensely talented comics make such an accomplished entrée as Seb Cardinal and Dustin Demri-Burns did last night. But then they have a track record: in 2006 the duo (then performing as a threesome with Sophie Black as Fat Tongue) were nominated for best newcomer in the Edinburgh Comedy Awards. Read more... |
Homeland, Series Finale, Channel 4Monday, 07 May 2012
The course of the serialised drama finale never did run smooth, particularly in the case of a show like Homeland, which has structured its entire run around a slow-building sense of queasy, paranoid dread with, thus far, very little real payoff. Read more... |
Maestro at the Opera, BBC TwoSaturday, 05 May 2012
Even in this age of desperate reality TV, you have to have doubts about any show that tries to convert “celebrities” into serious contenders in an alien field. Is it serious or a padded-out joke? To an extent we’ve been here, or close by, before. Read more... |
Awake, Sky AtlanticSaturday, 05 May 2012
Try this for high concept. Following a fatal car accident involving his family, LA cop Michael Britten (Jason Isaacs) gains access to two parallel realities. Every time he goes to sleep, he crosses between the two – in one, his wife survived the crash while his son died; in the other, he’s a widower but his son lived. The two realities parallel one another in every respect: in each he has a different therapist, a different stereotypical sidekick, and a different murder to solve. Read more... |
Shakespeare in Italy, BBC TwoFriday, 04 May 2012
Francesco da Mosto’s two-parter is ostensibly about the Bard and his fascination with the TV historian’s native Italy. In reality, it’s a film about da Mosto and his apparently God-given, below-the-belt hotness. Given the camera’s ceaseless drooling at the presenter, a more honest title would have been “Ladies! Get a load of this!” Read more... |
Braquo, FXMonday, 30 April 2012
The first series of the French cops gone-to-pot drama ended with Lieutenant Eddy Caplan about to blow the head off his nemesis Serge Lemoine. Offing him was supposed to solve all Caplan and his team’s problems. Unfortunately, Lemoine was fitted with a wire and things didn’t go to plan. Series two began in the immediate aftermath with Caplan, his in do-do colleagues and Lemoine caged in the back of police van. Read more... |
2 Broke Girls, E4Thursday, 26 April 2012
Where would America be without its diners? Or for that matter, where would US culture be without them? Now here's another dramatic piece set in America's version of the greasy spoon, a sassily scripted sitcom by Whitney Cummings and Michael Patrick King, who created Sex and the City. Whereas SATC was set in Manhattan, 2 Broke Girls is located in New York City's less monied, but nowadays more groovy, borough of Brooklyn. Read more... |
Beautiful Minds, BBC FourThursday, 26 April 2012
Apart from the fact that it’s a razor-sharp piece of writing, what most delights and impresses me about Richard Dawkins’ The God Delusion is how it gets under people’s skin. It has generated several books in fevered opposition to it and, needless to say, countless abusive emails land in the poor man’s inbox every day. If it wasn’t such a lucid, incisive and relentlessly powerful piece of work I doubt it would have got such fierce and sustained opposition. Read more... |
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