fri 12/09/2025

tv

Puppy Love, BBC Four

Veronica Lee

Joanna Scanlan and Vicki Pepperdine are two-thirds of the talented team (Jo Brand was the other) who brought us the excellent Getting On, now probably lost to UK screens after three series but which will appear in an American format next year.

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Downton Abbey, Series 5 Finale, ITV

Jasper Rees

On and on the stately galleon sails. The fifth wodge of Downton Abbey has been light on utter knuckle-gnawing preposterousness. Plots conjured up at random from thin air have been in slightly shorter supply than usual. The very worst you can say of it is that Lord Fellowes is no Agatha Christie. The poor old blighted Bateses have now been subject to a matching pair of cack-handed murder mysteries.

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The Heart of Country – How Nashville Became Music City USA, BBC Four

Matthew Wright

It’s supposed to represent everything simple and homely, for a white audience at least, its tales of God, family and heartbreak the stuff of everyday America. For British listeners, more at home with “Parklife’s” dirty pigeons and cups of tea than Dolly Parton or Johnny Cash, the cultural background needs more sketching in, and BBC Four had its work cut out telling the story of a city, and a music both so familiar and so exotic.

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Life Story, BBC One

Marina Vaizey

David Attenborough’s characteristically soothing narration again described the unceasing struggle for survival in the animal world. In astonishing films from all over the world, we witnessed an enormous variety of tactics for finding homes that not only provided shelter, but protection. In nature, he told us, good homes are all too rare, and we were treated to some not-so-subtle allusions to our own housing crises.

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Broadmoor, ITV

Jasper Rees

Broadmoor is not a prison. It just looks like one, as reiterated by umpteen craning shots which prowled around the Victorian red-brick exterior, assessing its brute institutional heft from every angle. For the first time, and after five years of negotiation, cameras have been allowed to document what happens inside this mythologised sanctum. Is it really the chamber of horrors of popular imagination? Is this where society’s malignantly insane are locked away for our better safety?

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Great Continental Railway Journeys, BBC Two

Adam Sweeting

How odd to recall that Michael Portillo was the Thatcherite brat they loved to hate, the man whose 1997 defeat at Enfield Southgate would have caused a Twitter meltdown had the 140-character phenomenon been invented in time. Today's repackaged Portillo has blossomed in all directions, from being a stalwart on The Moral Maze and Andrew Neil's This Week to documentaries about capital punishment and mental health.

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The Passing Bells, BBC One

Adam Sweeting

We seem to have spent most of 2014 examining the social, political, historical, geographical and military ramifications of the First World War. You would have thought, therefore, that the upcoming Remembrance Sunday commemorations could have been allowed to stand alone, uncluttered by further efforts to explain or dramatise the events of 1914.

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The Missing, BBC One

Jasper Rees

Given the long shadow cast by the disappearance of Madeleine McCann, it’s sort of surprising that no drama department has commissioned something like The Missing before. It’s not the same story of course. The child alluded to in the title is a five-year-old boy, not a three-year-old girl, and he’s abducted in France rather than Portugal. But it’s impossible not to be aware of the story’s factual parallel.

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Imagine... The Art That Hitler Hated, BBC One

Marina Vaizey

Alan Yentob’s culture programme, Imagine, returned for its autumn season with a two-part examination of one of the most potently disturbing episodes in the history of art, let alone culture. Even before the programme’s title, masterpieces by such as Kirchner, Beckmann and Klimt flashed before our eyes.

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Intruders, BBC Two

Adam Sweeting

"Baffling paranormal thriller" is your drive-thru soundbite to describe Intruders, but despite a lingering threat of genre-cliché, it holds your attention with a very capable cast and some stylish cinematography. The action is set in Washington State and Oregon in the American Northwest (though it was apparently shot over the border in British Columbia), and the chilly, metallic light has a distinctly Scandinavian air.

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