sex
Banana Split review - likable if essentially timid romcomTuesday, 09 June 2020
Is friendship mightier and more durable than sex? That's the proposition put forward by the engaging if ultimately cautious Banana Split, the Los Angeles-set romcom in which two teenagers become friends unbeknownst to the long-haired himbo boyfriend... Read more... |
Album: The Weeknd - After HoursFriday, 20 March 2020
Let’s talk about “Blinding Lights”. What a sleek single, like an escapee from the acclaimed soundtrack to the film Drive, a polished riff on mid-Eighties synth-pop, ripe for 21st century dancefloors, one of the songs of the year so far, all topped... Read more... |
Feel Good, Channel 4 and Netflix review - a fresh, bingeable comedy that digs deep but feels mildThursday, 19 March 2020
“I am not intense.” That declaration arrives early in Feel Good, the new Channel 4 and Netflix romantic comedy fronted by comedian Mae Martin, who plays a fictionalised version of herself. Over Mae’s shoulder, we see a literal trash fire. She’s lit... Read more... |
The Photograph review - star-powered romance mostly simmers, sometimes soarsFriday, 06 March 2020
The Photograph, from writer-director Stella Meghie, tells twin tales. The first is all flashback and follows Christine (Chanté Adams, pictured below with Y'lan Noel), a young photographer balancing love and ambition. The second follows... Read more... |
Portrait of a Lady on Fire review – love unshackledFriday, 28 February 2020
Portrait of a Lady on Fire is windblown, spare, taut, and sensual – a haunted seaside romantic drama, set in the 18th century, that makes most recent films and series dressed in period costumes seem like party-line effusions of empty style and... Read more... |
Be More Chill, The Other Palace review - more exhausting than enlighteningMonday, 24 February 2020
This latest musical theatre exercise in “geek chic” has been an American phenomenon: a show propelled by social media that developed a rabid fan base taking it all the way to Broadway last year. And here Be More Chill now is in London at The Other... Read more... |
Sex Education, Series 2, Netflix review - the teen sex show we deservedFriday, 14 February 2020
Netflix’s Sex Education has returned to our screens and streams. The show made waves last year for its refreshing take on the teen comedy-drama. It took on abortion, consent and female pleasure — subjects strikingly absent from our actual high... Read more... |
Asking For It, Birmingham Repertory Theatre review - victim-blaming and abuse in small town IrelandThursday, 06 February 2020
In a world where the contentious report of a young English woman gang raped by teenage boys in Cyprus last year continues to make headlines, Asking For It is more than relevant. Such scenarios are by no means new but are once again making news... Read more... |
Shock of the Nude with Mary Beard, BBC Two review - when does art become erotica?Tuesday, 04 February 2020
Are you a fan of oysters or Marmite? Mary Beard is not to everybody’s taste, but love her or loathe her she is not only a distinguished academic but a ubiquitous writer and presenter of classical histories, connected travels, and ruminations on... Read more... |
Goldilocks and the Three Bears, London Palladium review - joyously filthy funThursday, 12 December 2019
When Qdos brought back pantomime to the Palladium three years ago after an absence of nearly 30 years, it set the bar high with superb production values, a large ensemble, a live band – and a stage stuffed with stars. Now those stars – Julian... Read more... |
Botticelli in the Fire, Hampstead Theatre review - history mash-up burns brightSaturday, 26 October 2019
Botticelli is a household name, but who knows the true story behind his most famous painting? The painter's 1480s masterpiece, The Birth of Venus, is one of the most striking images of Renaissance Florence – and has achieved iconic status. Because... Read more... |
The Cunning Little Vixen, Welsh National Opera review - family night in the forestSaturday, 12 October 2019
Considering that Janáček’s Vixen is, among other things, an allegory of the passing and returning years, it’s appropriate that WNO continue to recycle David Pountney’s now nearly 40-year-old production, and that it comes up each time refreshed, with... Read more... |
