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Blu-ray: LibertéTuesday, 19 January 2021![]() Catalan director Albert Serra’s interest in late 18th century France is well established – his previous film was The Death of Louis XIV – but the title of his new one has precious little to do with the triadic revolutionary slogan that swept away... Read more... |
Book extract: Nativity by Jean Frémon, with drawings by Louise BourgeoisMonday, 16 November 2020How should one paint the baby Jesus? This deceptively innocent question runs the length of Jean Frémon's Nativity, a fictional work that takes as its subject the first painter to represent the saviour of humankind without his swaddling clothes. The... Read more... |
Harlots, BBC Two review – sublime, ridiculous, and always entertainingThursday, 05 November 2020![]() Back to Georgian brothels, now – at least, for those of us who don’t have a Hulu subscription. The BBC’s airing of the second series of Harlots over the summer felt strangely timely. Barely an episode in and an angry crowd was hammering at the local... Read more... |
The Best Films Out NowMonday, 05 October 2020![]() There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.Enola Holmes ★★★★ Millie Bobby Brown gives the patriarchy what-for in... Read more... |
Rialto review - beautifully acted but relentlessSaturday, 03 October 2020![]() What news on the rialto? Not much of particular buoyancy or light in the Peter Mackie Burns film Rialto, which takes a grimly focused view of a married Irishman's struggle with his same-sex leanings. Adapted by Mark O'Halloran from his 2011 stage... Read more... |
Broken Hearts Gallery review - effortfully entertainingFriday, 11 September 2020![]() Remember when romcoms didn't try so hard? That question kept going through my head for the first half, or more, of Broken Hearts Gallery, a film from Canadian writer-director Natalie Krinsky that ultimately in tugging at the heart but has to go... Read more... |
theartsdesk Q&A: author Katharina VolckmerSunday, 30 August 2020![]() Katharina Volckmer’s début novel The Appointment follows one woman as she vents her frustrations, confusions and regrets to her doctor during a lengthy appointment in London. Ranging through ideas from sex to Nazism, religion to technology, this... Read more... |
Matthias & Maxime review - psychology and romance make for cinematic goldThursday, 27 August 2020![]() The emotional rawness of Xavier Dolan’s films reflects a rare humanity and empathy. For someone still only 31, the French-Canadian writer and director displays an uncanny sense of the passionate turmoil that animates his characters. The subtle... Read more... |
A Little Night Music, Opera Holland Park review - wasn't it bliss?Tuesday, 18 August 2020![]() A lot of rain and untold bliss: those were the takeaways from Saturday night’s alfresco Opera Holland Park concert performance of Stephen Sondheim and Hugh Wheeler’s eternally glorious 1973 musical, A Little Night Music. I doubt any of the 200... Read more... |
Little Birds, Sky Atlantic review - decadence and intrigue in 1950s MoroccoWednesday, 05 August 2020![]() Diarist, novelist and writer of erotica Anaïs Nin lived a brilliantly-coloured life littered with affairs with literary A-listers (Henry Miller, John Steinbeck, Lawrence Durrell et al). She might have been delighted by this playfully-written and... Read more... |
Our Baby: A Modern Miracle, Channel 4 review - trailblazing couple's amazing journeyWednesday, 29 July 2020![]() On one level this documentary could be summed up as “parents have baby”, but since the parents in question are “Britain’s most prominent transgender couple”, it was a lot more complicated than that. Jake Graf used to be a woman and his wife Hannah... Read more... |
Back Roads review - nice cheekbones, not much elseFriday, 03 July 2020![]() Back Roads has languished largely unseen since its completion in 2017, and one can see why: lurid to the point of absurdity, this adaptation of a 1999 novel by co-screenwriter Tawni O’Dell is preposterously self-serious and doesn’t augur well... Read more... |
