satire
Edward Burra, Tate Britain review - watercolour made mainstreamWednesday, 18 June 2025
It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but Tate Britain’s retrospective of Edward Burra manages to achieve just this. I’ve always loved Burra’s limpid late landscapes. Layers of filmy watercolour... Read more... |
Magic Farm review - numpties from the NinetiesSaturday, 17 May 2025
There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater” when she was growing up in the 1990s. The phrase brings the half-forgotten world of Generation X back to... Read more... |
Here We Are, National Theatre review - Sondheim's sensational swan songFriday, 09 May 2025
You don't have to be greeting the modern day with a smile unsupported by events in the wider world to have a field day at Here We Are. The last musical from the venerated Stephen Sondheim has only grown in import and meaning since I caught its New... Read more... |
Blu-ray: The Texas Chainsaw Massacre 2Friday, 07 March 2025
Tobe Hooper’s The Texas Chain Saw Massacre (1974) was uniquely disturbing, with its monster Leatherface’s first primal eruption to hang a victim on a meat-hook rivalling Psycho’s murders for shock and fright. It was only as the bludgeoning effect... Read more... |
theartsdesk Q&A: filmmakers Guy Maddin, Evan and Galen Johnson on 'Rumours'Saturday, 07 December 2024
Somewhere in Germany, G7 conference leaders including German Chancellor Ortmann (Cate Blanchett) and US President Wolcott (Charles Dance) repair to a gazebo to collaborate on a “clear, but not so clear” communique addressing an unnamed, possibly... Read more... |
French Toast, Riverside Studios review - Racine-inspired satire finds its laughs once up-and-runningWednesday, 09 October 2024
It’s always fun jabbing at the permanently open wound that is Anglo-French relations, now with added snap post-Brexit, its fading, but still frothing, humourless defenders clogging up Twitter and radio phone-ins even today. So it’s probably timely... Read more... |
The Fabulist, Charing Cross Theatre review - fine singing cannot rescue an incoherent productionWednesday, 21 August 2024
On opening night, there’s always a little tension in the air. Tech rehearsals and previews can only go so far – this is the moment when an audience, some wielding pens like scalpels, sit in judgement. Having attended thousands on the critics’ side... Read more... |
Punt and Dennis, The Marlowe, Canterbury review - satire and sketchesSaturday, 25 May 2024
Ten years after their last tour Steve Punt and Hugh Dennis are back on the road with We Are Not a Robot. It comes after their long-running The Now Show on Radio 4 has ended and, reassuringly for their fans, is more of the same affable humour, with... Read more... |
Banging Denmark, Finborough Theatre review - lively but confusing comedy of modern mannersMonday, 22 April 2024
What would happen if a notorious misogynist actually fell in love? With a glacial Danish librarian? And decided his best means of getting this woman’s attention was to ask his worst enemy, a leading feminist academic, for help?These probably aren’t... Read more... |
Nachtland, Young Vic review - German black comedy brings uneasy humour and discomfiting relevanceThursday, 29 February 2024
If Mark Twain thought that a German joke was no laughing matter, what would he make of a German comedy? That quote came to mind more than once during Patrick Marber’s production of Marius von Mayenburg’s 2022 play, Nachtland. I know it’s... Read more... |
Poor Things review - other-worldly adaptation of Alasdair Gray's novelThursday, 11 January 2024
Following their award-scooping collaboration on 2018’s The Favourite, Emma Stone and director Yorgos Lanthimos return with this mind-bending adaptation of Alasdair Gray’s eponymous novel. Also on board is screenwriter Tony McNamara, who wrote (with... Read more... |
The Kemps: All Gold, BBC Two review - bickering with the Ballet boysSaturday, 30 December 2023
This is the follow-up to 2020’s The Kemps: All True, in which rock satirist Rhys Thomas assessed the Spandau Ballet boys as the band reached its 40th anniversary. This time, we rejoin Thomas as he spends a year as a fly on the wall in the chaotic... Read more... |
- 1 of 19
- ››
