Reissue CDs
Reissue CDs Weekly: Shel TalmySunday, 21 May 2017
As the producer of the early Kinks and Who, Shel Talmy’s status as one of British pop’s most important figures is assured. He is, though, American. Despite being integral to the mid-Sixties boom years when the Limeys took over, he was born in... Read more... |
Reissue CDs Weekly: The CreationSunday, 14 May 2017
“Electronic music, feedback, imaginative identification with colours and art and unique sounds is our art-from. We feel we are contributing to the new ‘total sound culture.’ This culture will take its place in the world just as the Renaissance... Read more... |
Reissue CDs Weekly: Alice ColtraneSunday, 07 May 2017
A strong candidate for reissue of the year, World Spirituality Classics, Volume 1: The Ecstatic Music of Alice Coltrane Turiyasangitananda is a rarity amongst archive collections as it does what is always hoped for but seldom accomplished. A new... Read more... |
Reissue CDs Weekly: HoneybeatSunday, 30 April 2017
Compilations of Sixties girl group or girl-pop sides are innumerable but Honeybeat: Groovy 60s Girl-Pop is promoted on the basis of the rarity of what’s collected. The 19 tracks include The Pussaycats “The Rider”, the A-side of a 1965 single:... Read more... |
Reissue CDs Weekly: Brinsley SchwarzSunday, 23 April 2017
In the second week of September 1979, Nick Lowe’s “Cruel to be Kind” entered the Top 40. A month later, it peaked at number 12. The commercial success was belated validation for a song with a history. In May 1978, an earlier version was the B-side... Read more... |
Reissue CDs Weekly: The VibratorsSunday, 16 April 2017
When the Sex Pistols first played live on 6 November 1975 at St. Martin’s School of Art, they were the support act to a Fifties-influenced band called Bazooka Joe whose roadie was John “Eddie” Edwards. Of the first band on that night, he declared “... Read more... |
Reissue CDs Weekly: Jon Savage's 1967Sunday, 09 April 2017
As 1967 ended, The Beatles’ “Hello Goodbye” sat at the top of the British singles chart and Billboard’s Hot 100 in America. Musically trite – “blandly catchy”, declared the writer Ian MacDonald – the single’s banal lyrics pitched opposites against... Read more... |
Reissue CDs Weekly: Gerry & The HologramsSunday, 02 April 2017
It’s been suggested that New Order’s “Blue Monday” borrowed from Gerry & The Holograms’ eponymous 1979 A-side. In July 2015, The Guardian ran an article saying “if ‘Blue Monday’ had a starting point, it was ‘Gerry & The Holograms’ by a group... Read more... |
Reissue CDs Weekly: WigwamSunday, 26 March 2017
Over 1972 to 1975, Finland staged a small-scale invasion of Britain. A friendly one, it was confined to music. First, the progressive rock band Tasavallan Presidentti came to London in May 1972 and played Ronnie Scott’s. The Sunday Times’ Derek... Read more... |
Reissue CDs Weekly: Chuck BerrySunday, 19 March 2017
When a skiffle group called The Quarry Men played live in 1959, their repertoire included covers of Chuck Berry’s “Johnny B. Goode” and “Sweet Little Sixteen”. The folk-based skiffle was becoming rock. In 1960, when the same band became The Beatles... Read more... |
Reissue CDs Weekly: Kitchens of DistinctionSunday, 12 March 2017
Albums are not meant to be heard this way. Collecting a band's output in one package inevitably obscures that what’s being heard might have been recorded and released over years. The listening time may be five or six hours, but eighteen months could... Read more... |
Reissue CDs Weekly: BuzzcocksSunday, 05 March 2017
By the time Buzzcocks recorded the 12 tracks heard on Time’s Up, they had played with Sex Pistols twice. They had also shared bills with The Clash, The Damned, Eater, Slaughter & The Dogs, Stinky Toys and The Vibrators. After singer Howard... Read more... |
