Reissue CDs
Reissue CDs Weekly: Noise Reduction SystemSunday, 13 August 2017
Last year, the arrival of Close to the Noise Floor compelled theartsdesk’s Reissue CDs Weekly to conclude that it was “hugely important and utterly delightful”. A four-CD set, it was a thrilling, first-time overview of the UK’s early indie-synth... Read more... |
Reissue CDs Weekly: Fairport ConventionSunday, 06 August 2017
According to Pete Frame’s book Rock Family Trees, Fairport Convention had 15 different line-ups between 1968 and 1978, the period covered by the new box set Come All Ye – The First 10 Years. Fairport Convention #7, extant from November 1971 to... Read more... |
Reissue CDs Weekly: Marylebone Beat Girls, Milk of the TreeSunday, 30 July 2017
Between them, Marylebone Beat Girls and Milk of the Tree cover the years 1964 to 1973. Each collects tracks recorded by female singers: whether credited as solo acts, fronting a band or singer-songwriters performing self-penned material. That the... Read more... |
Reissue CDs Weekly: RamonesSunday, 23 July 2017
Production gloss and deliberation are not notions immediately springing to mind while pondering the 1976-era Ramones. Even so, this new edition of their second album, the ever-wonderful Leave Home, reveals that careful consideration was given to how... Read more... |
Reissue CDs Weekly: Anne BriggsSunday, 16 July 2017
The Time Has Come was issued in late 1971. Anne Briggs’ second album and her second to reach shops that year, it followed an eponymous set released that April. That was on the folk label Topic and produced by the pivotal A. L. Lloyd, who had... Read more... |
Reissue CDs Weekly: Silhouettes & Statues - A Gothic RevolutionSunday, 09 July 2017
In February 1983, New Musical Express ran a cover feature categorising what it termed “positive punk”. Bands co-opted into this ostensibly new trend were Blood & Roses, Brigandage, Danse Society, Rubella Ballet, Sex Gang Children, Southern Death... Read more... |
Reissue CDs Weekly: Beach HouseSunday, 02 July 2017
From beginning to end, B-Sides and Rarities plays through like a regular album; as though it collects a series of tracks recorded where a cohesive release with a flow was the goal. Yet this 14-cut collection is a compilation with its earliest... Read more... |
Reissue CDs Weekly: Shelleyan OrphanSunday, 25 June 2017
Considering Shelleyan Orphan, Melody Maker said “someone’s been smearing themselves in art…were they artists or did they just wallow in shit?” While the late Eighties’ British music press often made assertions to seek attention, slagging off a band... Read more... |
Reissue CDs Weekly: Lynn CastleSunday, 18 June 2017
In a 1967 headline, The Washington Post pegged Lynn Castle as a “Shapely Blonde in Blue Jeans, Popular Barber in Hollywood”. She had attracted attention as the hairdresser of choice for The Byrds, The Monkees, Del Shannon, Sonny & Cher and... Read more... |
Reissue CDs Weekly: Pop MakossaSunday, 11 June 2017
In Summer 1973, Manu Dibango’s “Soul Makossa” peaked at 35 on the American charts. Originally the A-side of a France-only single issued in 1972, the song had been discovered by New York DJ David Mancusso. After Mancusso repeatedly played it, “Soul... Read more... |
Reissue CDs Weekly: The DoorsSunday, 04 June 2017
Fat cigar at hand, Jim Morrison is pondering the future of music. “Maybe it might rely heavily on electronics, tapes,” he says. “I can envision maybe one person with a lot of machines, tapes and electronic set ups, singing or speaking and using... Read more... |
Reissue CDs Weekly: Hoyt AxtonSunday, 28 May 2017
Hoyt Axton’s songs were heard most widely when recorded by others. Steppenwolf recorded his “The Pusher” in 1967. It featured on their early 1968 debut album but was most pervasive in summer 1969 after it was included on the soundtrack of Easy Rider... Read more... |
