wed 20/08/2025

National Theatre

The Red Lion, National Theatre

Football is a subject close to Patrick Marber's heart. He's a lifelong Arsenal fan and during his sojourn away from London (and writing, as he was suffering from writer's block for much of it) in Sussex, he became involved with his local non-league...

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The Beaux' Stratagem, National Theatre

Between Light Shining in Buckinghamshire and Everyman it was beginning to look like we were never going to get a proper, uncomplicated laugh in Rufus Norris’s National Theatre. Thank goodness for Restoration comedy, stepping into the breach as...

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10 Questions for Actress Pippa Bennett-Warner

At just 26, Pippa Bennett-Warner has already achieved many actors’ goals, from treading the boards at the National and having a part written specially for her to sharing scenes with luminaries like Derek Jacobi and Eddie Redmayne. She debuted aged...

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Everyman, National Theatre

As we stagger towards electoral chaos, isn’t it comforting to think there might be a master plan at work? That Russell Brand’s meddling is preordained, or Cameron’s "brain fade" an act of divine intervention? The second play in Rufus Norris’s...

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Light Shining in Buckinghamshire, National Theatre

The trouble with the general election is that while everybody talks about money, nobody talks about ideas. We know the price of everything, but the value of nothing. This might seem to be a triumphant demonstration of the essential pragmatism of the...

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theartsdesk Q&A: Choreographer Stephen Mear

From Singin’ in the Rain and Anything Goes to Hello, Dolly! and Mary Poppins, Olivier Award winner Stephen Mear has done more than any other British choreographer to usher classic musicals into the modern era. But adept as he is at razzle-dazzling ’...

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Rules for Living, National Theatre

The seasonal family reunion play is a hardy perennial. Like the Christmas tree that must take its place on the stage, it is usually spiky, dry and decorated with glittering ornaments – as in acidic jokes, acute embarrassments and ghastly...

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Man and Superman, National Theatre

How do you take your rom-coms? Full-fat Hollywood schmaltz, Shakespearean, or lean and elegant – a Stoppard perhaps, or Coward? If your answer did not include “With lashings of social philosophy, ethics and a lengthy dream sequence, preferably...

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'I'm the photographer. Any nudity? Any fighting?'

We are sitting in the lobby of the National Theatre in the early afternoon waiting for the photocall for Dara to begin. Six or seven photographers, one woman, all dressed in jeans and dark jackets with large camera bags, some on wheels. There is not...

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The Hard Problem, National Theatre

Here's the genuine hard problem facing commentators confronted with Tom Stoppard's new play of the same name: how do you honour the legacy of this extraordinary writer's first play in nine years that also marks its director Nicholas Hytner's...

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Dara, National Theatre

The history play has roots that go deep into our culture. We love to see stories that are kitted out in fancy dress, and long to savour a past that resonates with our present. In the case of Dara, which is adapted by Tanya Ronder from an original by...

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Treasure Island, National Theatre

This isn't just a piratical treasure hunt. The NT is also on a rescue mission. The master plan here is, surely, to retrieve Robert Louis Stevenson's vintage adventure story about buccaneers and buried gold from the clutches of shamelessly...

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