wed 20/08/2025

National Theatre

Waste, National Theatre

Do scandals have a sell-by date? When it comes to sex and politicians, the answer is no. The tabloids, and the news-hungry public, still seem to relish a good story about a powerful man who is caught with his trousers around his ankles. So Harley...

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Imagine... My Curious Documentary, BBC One

This "mockumentary" concerning the play The Curious Incident of the Dog in the Night-Time was incredibly well-intentioned and unintentionally baffling. It operated on so many levels at once that the viewer could all too easily keep falling through...

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As You Like It, National Theatre

Rosalind’s “working-day world” takes an unexpectedly literal turn in Polly Findlay’s sparky new As You Like It for the National Theatre. An opening sequence, set in a windowless trading-floor, opens out in one of the year’s most bewitching set...

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Husbands & Sons, National Theatre

If the thought of three hours of DH Lawrence fills you with dread, fear not. Ben Powers’ inspired melding of Lawrence’s trio of mining plays births a spellbindingly intimate epic with atmosphere thick as the coal dust engulfing this cloistered 1911...

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10 Questions for Director Roger Michell

It’s not easy to see the pattern in Roger Michell’s career. More than most British directors, he has zigzagged between the stage and the screen. He was the one who first rehearsed such contemporary classics as Kevin Elyot’s My Night with Reg and Joe...

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Jane Eyre, National Theatre

Last February, director Sally Cookson shrunk Charlotte Brontë’s 400-page novel Jane Eyre down to a four-and-a-half-hour play spread across two nights at the Bristol Old Vic. Now, as this co-production finally arrives at the National Theatre, it has...

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People, Places and Things, National Theatre

We all know what the word “addict” means, but what does it feel like to be one? Thirtysomething Emma – a minor actress played with immense conviction and quirky charm by Denise Gough – knows exactly. At one point in Duncan Macmillan’s...

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Our Country's Good, National Theatre

The political wheel has turned full-circle. When Our Country’s Good was premiered in 1988, it was a barely-veiled protest against Thatcher’s slash-and-burn approach to the arts in general and arts funding in particular. It couldn’t have returned at...

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10 Questions for Actor Jason Hughes

Jason Hughes belongs to an influential generation of actors who emerged from South Wales in the 1990s. A promising rugby player as a teenager, his head was turned by theatre. Ruth Jones and Rob Brydon were only a few years above him at school in...

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Three Days in the Country, National Theatre

The trouble with the classics is that they are long, complex and difficult. But today’s sensibility favours the quick, simple and easy. So it is no surprise that the National Theatre have opened its doors to Patrick Marber, who has taken Ivan...

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An Oak Tree, National Theatre

The play I have just seen is not the play you will see. Of course, one of the draws of live performance is that no two nights are the same, but that idea is taken to a mesmerising extreme in Tim Crouch’s An Oak Tree, celebrating its 10th anniversary...

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We Want You To Watch, National Theatre

“We’re completely pro sex.” Rashdash, who collaborated with Alice Birch on this anarchic challenge to pornography, are not objecting on prudish grounds – their concern is the corrosive impact of degrading, dehumanising material. We are all...

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