Theatre
The Crucible, National Theatre review - visually stunning revival of Miller's classic dramaSaturday, 01 October 2022
How can this beauty arise from such ugliness? The Crucible, Arthur Miller’s 1953 drama about the Salem witch trials of 1692, is rife with unwavering prejudices, selfish slander, and sickening motives. But under Lyndsey Turner’s aesthetically... Read more... |
John Gabriel Borkman, Bridge Theatre review - amusing tale of awful peopleFriday, 30 September 2022
It always feels special when a play speaks so directly to an audience that you feel and hear the ripples of recognition across the auditorium. And when disgraced banker John Gabriel Borkman roars that, “There are different rules for exceptional... Read more... |
Jews. In Their Own Words, Royal Court review - calling out ancient prejudiceThursday, 29 September 2022
What is the Royal Court theatre for? Is it a space that stages innovative new writing, or does it prefer to do documentary theatre? Is it concerned with reaching out beyond its regular audiences, or is it more focused on its own internal problems?... Read more... |
Eureka Day, Old Vic review - fun if not entirely fulfillingMonday, 26 September 2022
Can a play peak too soon? That's the quandary that attends the Old Vic airing of Eureka Day, Jonathan Spector's on-point if overextended comedy that was written prior to the pandemic but has absolutely come into its own just now. A skewering of... Read more... |
The Wonderful World of Dissocia, Theatre Royal Stratford East review - wild trip gets a welcome revivalSaturday, 24 September 2022
Lisa has lost an hour in a (somewhat contrived) temporal glitch. As a consequence, her world is always sliding off-kilter, not quite making sense, things floating in and out of memory. A watchmaker (himself somewhat loosely tethered to reality)... Read more... |
'The first thing I do when I wake up is write.' Hilary Mantel, 1952-2022Friday, 23 September 2022
Hilary Mantel, who has died at the age of 70, was a maker of literary history. Wolf Hall, an action-packed 650-page brick of a book about the rise and rise of Thomas Cromwell, won the Man Booker Prize in 2009. Three years later its successor,... Read more... |
Clutch, Bush Theatre review - new comedy-drama passes its testThursday, 22 September 2022
Max is big and black and Tyler is slight and (very) white, an odd couple trapped in a dual-control car as Max barks out his instructions and Tyler prepares for his driving test. If their relationship is to get started, like the clutch of the... Read more... |
Bright Half Life, Kings Head Theatre review - ups and downs of a tender lesbian love affairMonday, 19 September 2022
A tender love story has arrived at the Kings Head theatre from the US, where its author, Tanya Barfield, is an award-winning playwright for both television and theatre. The plot is simple: two women — one white, one Black — meet in an office where... Read more... |
Handbagged, Kiln Theatre review - triumphant revival of Moira Buffini's comedySaturday, 17 September 2022
It’s only nine years since Moira Buffini’s Handbagged had its premiere at Kilburn’s Tricycle theatre (renamed the Kiln in 2018), but it triumphantly returns to the same venue as a copper-bottomed classic. Its timing is uncanny: Margaret Thatcher was... Read more... |
The P Word, Bush Theatre review - persecution and prideSaturday, 17 September 2022
Britain is a divided nation, but one of the divisions that we don’t hear that much about is that between Pakistani gay men. Written by Waleed Akhtar (who also stars in this impressively heartfelt two-hander), The P Word is about the differences in... Read more... |
The Snail House, Hampstead Theatre - perplexing new drama that lacks biteFriday, 16 September 2022
Hell hath no fury like a teenager scorned. In this perplexing play, we see a highly successful doctor put on trial by his rebellious 18-year-old daughter and found miserably wanting. Ibsen’s influence hangs heavily over an evening in which Sir Neil... Read more... |
The Two Popes, Rose Theatre review - sparkling with wit and pathosThursday, 15 September 2022
It can’t have been an easy pitch. “Popes. Both foreign, yes. German and Argentinian – sorry, can’t change either. Eighty-something and the other’s a decade younger. Mainly just talking about their pasts and their different approaches to Roman... Read more... |
