Theatre
The Solid Life of Sugar Water, Orange Tree Theatre review - two-hander gets a punchy refreshFriday, 21 October 2022
This is not a play for the squeamish: here be blood and cum and unsavoury descriptions of genitalia, male and female, that make you wonder why humans relish sex so much. And it’s all played out in the close quarters of the small in-the-round... Read more... |
My Neighbour Totoro, Barbican review - dazzling stage adaptation of a Japanese classicThursday, 20 October 2022
As 10-year-old Satsuki observes as she arrives in the countryside with her little sister Mei, “We’re not in Tokyo anymore” – and they’re not in Kansas either, but there is a tang of Oz in the air. The 1988 Studio Ghibli film, My... Read more... |
Good, Harold Pinter Theatre review - brilliant but half-bakedThursday, 13 October 2022
“The bands came in 1933.” So begins C P Taylor’s Good, a play that tries its hardest to resist being Googled. It was first performed by the RSC in 1981; this production, starring David Tennant as a mild-mannered German professor who gradually... Read more... |
The Doctor, Duke of York's Theatre review - Juliet Stevenson will see you nowMonday, 10 October 2022
Robert Icke is an expert in corporate tragedy. I don’t mean that in a bad way - just that he has a penchant for taking classics (Hamlet, The Oresteia, Mary Stuart) and transporting them, with the help of designer Hildegard Bechtler, to the frosted-... Read more... |
The Band's Visit, Donmar Warehouse review - still waters run bittersweetMonday, 10 October 2022
Not much happens but, in its way, everything does in The Band's Visit, the gentle, sweet-natured musical that rather unexpectedly stormed Broadway late in 2017 and is just now receiving a notably empathic London debut.Broadway... Read more... |
Ravenscourt, Hampstead Theatre review - strong, but slenderSaturday, 08 October 2022
Therapy is inherently dramatic. After all, it’s all about character – and it has the aim of producing a recognizable change. But who is the most affected by the process: client or therapist?Georgina Burns, a graduate of Hampstead Theatre’s Inspire... Read more... |
The Caucasian Chalk Circle, Rose Theatre review - new production of classic proves a gruelling experienceFriday, 07 October 2022
Brecht – as I suppose he intended – is always a shock to the system. With not a word on what to expect from his commitment to the strictures of epic theatre in the programme, a star of West End musical theatre cast in the lead and a venue... Read more... |
The Boy with Two Hearts, National Theatre review - poignant yet humorous story of family forced to flee AfghanistanThursday, 06 October 2022
It’s particularly poignant to watch this story in the knowledge that a little over a year after US-led troops withdrew from Afghanistan, women and girls are enduring a renewed repression of their rights under the Taliban. The real-life story of The... Read more... |
James IV: Queen of the Fight, Festival Theatre, Edinburgh review - revelatory historical dramaThursday, 06 October 2022
"The poem is real," intones entertainer-turned-courtier Ellen solemnly as a prologue and epilogue to Rona Munro’s vivid, vibrant new James IV: Queen of the Fight, presented by Scottish producers Raw Material and Edinburgh’s Capital Theatres in... Read more... |
Only an Octave Apart, Wilton's Music Hall review - instant charm, infinite varietyTuesday, 04 October 2022
You know you’re in good company the minute these two appear on stage: they are so splendidly what they are, comfortable in their own skins and perfect in role-play. Justin Vivian Bond, consummate trans cabaret artist, meets Anthony Roth Constanzo,... Read more... |
Iphigenia in Splott, Lyric Hammersmith review - raises as many questions as answersMonday, 03 October 2022
It’s hard to keep up with what terms are in vogue amongst those who insist on classifying and vilifying young people, but one that you don’t hear so often these days is NEET (Not in Education, Employment or Training). Back in 2015 when Gary Owen's... Read more... |
The Crucible, National Theatre review - visually stunning revival of Miller's classic dramaSaturday, 01 October 2022
How can this beauty arise from such ugliness? The Crucible, Arthur Miller’s 1953 drama about the Salem witch trials of 1692, is rife with unwavering prejudices, selfish slander, and sickening motives. But under Lyndsey Turner’s aesthetically... Read more... |
