Theatre
Hakawatis: Women of the Arabian Nights, Sam Wanamaker Playhouse review - magical stories by candlelightMonday, 19 December 2022
Do you remember how the 1001 Nights ends? You know how it starts: Scheherazade has been married to a king who kills his brides the day after he marries them. She tells him a story so good that he simply has to know what happens next, and she... Read more... |
As You Like It, @sohoplace review - music-filled, warm-hearted celebrationFriday, 16 December 2022
The scene is set onstage in the first minutes. And it remains a stage throughout this harmonious production. The action takes place in a severe court and a more liberal forest, but really the setting is always a place of imagination, a theatre.... Read more... |
Dolly Parton's Smoky Mountain Christmas Carol, Queen Elizabeth Hall review - Scrooge goes to TennesseeThursday, 15 December 2022
We’ve had 75 years to get used to Scrooge McDuck, so we can hardly complain if the Americans indulge in a little cultural appropriation and send Charles Dickens’ misanthrope to Depression-era Tennessee for another whirl on the catharsis-redemption... Read more... |
Sons of the Prophet, Hampstead Theatre review - perfect mix of pain and comedyThursday, 15 December 2022
Pain is, at one and the same time, something to avoid, and also something you can use. Kahlil Gibran, the Lebanese-American mystical author of the 1923 best-seller The Prophet, concludes that, despite suffering, “all is well”, but how true is that?... Read more... |
Kerry Jackson, National Theatre review - new writing nadirMonday, 12 December 2022
Is British new writing in deep trouble? With the Arts Council defunding venues such as the Hampstead Theatre, the Donmar and the Gate, and past masters such as Terry Johnson underperforming, the signs are not good. But what about the National... Read more... |
Newsies, Troubadour Wembley Park Theatre review - bombastic musical let down by its songsMonday, 12 December 2022
What do you mean you haven’t heard of the newsboys’ strike of 1899? It’s a classic David and Goliath story: a group of New York kids selling newspapers for Joseph Pulitzer (him of the prize), who take a stand when their boss tries to charge them 20... Read more... |
Othello, National Theatre review - ambitious but emotionally underpoweredSaturday, 10 December 2022
Clint Dyer is the first black director of Othello at the National Theatre, a venue that once staged the piece with its actor founder Laurence Olivier playing the lead role in blackface. We are reminded of this now-reviled practice before... Read more... |
Mandela, Young Vic review - baffling bio-musicalFriday, 09 December 2022
As bio-musicals continue to have their heyday, it makes sense for the Young Vic to throw its hat in the ring and champion a work about the hugely influential Nelson Mandela. But this new musical about the South African anti-apartheid activist and... Read more... |
Sarah, Coronet Theatre review - a one-man whirlwindThursday, 08 December 2022
The American author of The Sarah Book, on which the monologue Sarah is based, is called Scott McClanahan, as is his main character, so it’s no stretch to assume the novel is at least semi-autobiographical. And indeed Scott the author was married to... Read more... |
Hex, National Theatre review - 12 months after being sent to sleep by Covid, Rufus Norris's show is backWednesday, 07 December 2022
Hovering way, way above us, three aptly named high fairies, in voluminous chiffon, open a show that may not be airy in the metaphorical sense, but invites us to cast our eyes upwards continually – no bad thing to do in the bleak midwinter of 2022.... Read more... |
Orlando, Garrick Theatre review - Emma Corrin is incandescent in an underwhelming adaptationTuesday, 06 December 2022
Identity is thorny business. This was the parting thought of Anna X, the play that marked Emma Corrin’s West End debut in the summer of 2021. The same credo governs Corrin’s return to London theatre with Orlando, in Neil Bartlett’s adaptation of... Read more... |
Best of Enemies, Noel Coward Theatre review - opposites attract, sort ofSaturday, 03 December 2022
Opposition (and history) are the apparent mainstays of the ceaselessly busy James Graham, and he conjoins the two to riveting effect in Best of Enemies.Telling of the televised 1968 debates between William F Buckley and Gore Vidal during that year's... Read more... |
