Theatre
Othello, Lyric Hammersmith review - Frantic Assembly's high-energy take on the MoorTuesday, 31 January 2023
Frantic Assembly’s Othello, originally co-developed with the Lyric in 2008, is back in its third iteration, and it’s still not exactly the play you studied at school or saw other companies perform. In some ways, that’s all to the good.Frantic’s... Read more... |
Sound of the Underground, Royal Court review - loud and triumphantly proudMonday, 30 January 2023
Ever been to a queer club? You know, drag cabaret night at Madame Jojo’s, or the Black Cap or Her Upstairs. No? Well, not to worry – the Royal Court’s latest provides a fabulously extravagant simulation of the experience with its staging of Sound of... Read more... |
Noises Off, Phoenix Theatre review - much revived classic farce gains in poignancyFriday, 27 January 2023
There’s a chance – a slim one – that you haven’t seen Noises Off, Michael Frayn’s farce about a farce that, as legend has it with The Rocky Horror Show, must surely be going up somewhere in the world every day.If you’re in that minority,... Read more... |
Charlie & Stan, Wilton’s Music Hall, review - a beguiling fantasy about two silent comedy greatsFriday, 27 January 2023
Imagine what would have happened if the young Charlie Chaplin and Stan Laurel were cabin-mates on a transatlantic liner. The Told by an Idiot company did just that, and the result is this show, a return visitor to the International Mime Festival,... Read more... |
The Unfriend, Criterion Theatre review - dark comedy is (largely) audience-unfriendlySaturday, 21 January 2023
We all have that friend. The person you met on holiday and couldn’t shake off. You added each other on Facebook, but they posted so much you’ve quietly unfollowed them. You can’t quite bring yourself to unfriend them, though. In The Unfriend, a new... Read more... |
Allegiance, Charing Cross Theatre review - George Takei's childhood story makes a heartfelt musicalFriday, 20 January 2023
Like families, nations have secrets: dirty linen that they prefer not to expose to the light of day. Patriotic myths need to be protected, heroic narratives shaped, good guy reputations upheld. In 1942, the USA rounded up Japanese-Americans and... Read more... |
The Art of Illusion, Hampstead Theatre review - a hit from Paris conjures up strange-but-true storiesSaturday, 14 January 2023
First came Yasmina Reza’s 1994 long-runner Art; now another French hit, The Art of Illusion, has arrived after eight years in Paris. The two pieces couldn’t be more different: the former is a chatty spat between three sophisticated male friends (... Read more... |
A Streetcar Named Desire, Almeida Theatre review - Patsy Ferran rises above fussy stagingFriday, 13 January 2023
It’s a long way from the dank chill of an English winter to the stultifying heat of a New Orleans summer, but we’ve been here before at this venue. Five years on from their award-winning Summer And Smoke, Rebecca Frecknall is back in the director’s... Read more... |
Watch on the Rhine, Donmar Warehouse review - Lillian Hellman's 1940 play is still asking awkward questionsWednesday, 11 January 2023
We’re reminded, in a grainy black and white video framing device, that, as late as the summer of 1941, the USA saw World War II as just another European war. As brilliantly illustrated in Phillip Roth’s The Plot Against America, not only was such... Read more... |
Best of 2022: TheatreTuesday, 27 December 2022
Where were the great new plays during 2022? That question underscored weeks of playgoing that turned into months, with very little new British writing announcing itself with real force.Three of the best are enumerated further down, but the... Read more... |
Christmas shows 2022 round-up - panto is properly backFriday, 23 December 2022
What joy it is to have pantomime and Christmas shows back with full audiences up and down the country – everything from local shows to star-driven productions, many of them postponed from 2020 but with an awful lot happening in between to provide... Read more... |
Mother Goose, Duke of York's Theatre review - Ian McKellen returns as the DameThursday, 22 December 2022
When Ian McKellen, one of our greatest Shakespearean actors, gave us his acclaimed Widow Twankey at the Old Vic in 2004, some wondered why he had waited till he was in his sixties to perform in a leading role in pantomime (second comic policeman at... Read more... |
