New Music Reviews
Album: Benson Boone - American HeartSunday, 22 June 2025
I first had a conversation about Benson Boone without realizing it was him we were talking about. It went something like: “Did you see that horrifying moment at Coachella when Brian May got onstage with some American guy, and no one knew who he was? HOW DO THEY NOT KNOW?!” We berated youth culture, blinked – and suddenly, Boone had released a second album. Read more... |
Patrick Wolf, Rough Trade East review - the Kent-based bard refashions his new album ‘Crying the Neck’Friday, 20 June 2025
After the evening’s second song “The Last of England,” Patrick Wolf cautions “I’ve got nothing left to say.” During the shows leading up to this outing promoting his new album Crying the Neck, he says he felt “like I’ve been drag-queen story hour” and, in Kingston, “a preacher.” He’s talked out. All that there is to say has been said. Read more... |
Bonnie Raitt, Brighton Dome review - a top night with a characterful, very American blues rock queenWednesday, 18 June 2025
If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of your life. They are the kind of purely American rhythm’n’blues experience, tempered with FM radio balladry, that somehow works best, and perhaps only, on those endless highways and dusty plains. Read more... |
Hidden Door Festival 2025 review - the transformative Edinburgh event's most site-specific festival yetWednesday, 18 June 2025
"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an attempt to extol the virtues of a good Presbyterian work ethic. Read more... |
Pulp, O2 Arena review - common people like usMonday, 16 June 2025
Jarvis Cocker is proudly holding the No 1 trophy handed to him on the day Pulp topped the album chart for the first time in 27 years with More, their first album in almost as long. “It’s nice they’ve got something to do when they’re getting on a bit,” Cocker says, acidly imagining the response. “Fuck that!” Read more... |
Sam Fender, St James' Park, Newcastle review - Geordie Springsteen scores with celebratory homecomingMonday, 16 June 2025
Had a passer-by from outwith Newcastle been asked to guess what was taking place at St James' Park, football would have been the likely answer. It felt like nearly every person walking to see Sam Fender was clad in a replica top, bearing the name of club legends past and present or, most commonly, the official kit released to mark Fender's newest album. Read more... |
Music Reissues Weekly: Pilot - The Singles CollectionSunday, 15 June 2025
"It was really strange. Really quite conflicting, the sort of thing most bands didn't have to deal with. At the front, we'd have the kids who'd come along to scream and at the back were the people who'd come along to hear the music. We didn't know whether to talk to the kids at the front or to speak over their heads to the other people.” Read more... |
Album: Mary Halvorson - About GhostsWednesday, 11 June 2025
Although Mary Halvorson leads the sextet Amaryllis on About Ghosts, instrumentally, she does not place her guitar to the fore. The first time her playing really leaps out on her new album is during second cut “Carved Form,” where it weaves through the arrangement. A guitar solo arrives just over a minute in: precise yet slippery, it complements the early space-age feel of the Pocket Piano synthesiser she also contributes to the track. Read more... |
Eva Quartet, St Cyprian's review - polyphonic blissMonday, 09 June 2025
Eva Quartet are four outstanding Bulgarian voices of polyphonic purity and depth, drawn from the legendary choir Le Mystere des Voix Bulgares, who guested on Kate Bush’s classic Eighties album The Sensual World. Read more... |
Music Reissues Weekly: Gather In The MushroomsSunday, 08 June 2025
“Forest and the Shore” by Keith Christmas is remarkable. In his essay for Gather In The Mushrooms, compiler, author and Saint Etienne member Bob Stanley says it is “as evocative as its title. The song has a deeply wooded sound, like a cross between Serge Gainsbourg’s “Ballade de Melody Nelson” and Ralph Vaughan Williams.” To this can be added the brooding, dramatic melancholy of Scott Walker’s “The Seventh Seal.” Read more... |
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