mon 19/05/2025

New Music Reviews

Sparks, O2 Shepherd’s Bush Empire review - age does not wither them

Liz Thomson

It’s more than 40 years since Sparks appeared on Top of the Pops with “This Town Ain’t Big Enough for Both of Us”, one of a handful of hits from the brothers Mael, Ron and Russell, who grew up in 1950s and ‘60s LA detesting...

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Norah Jones, Ronnie Scott's review - heartfelt music that transcends bland

Peter Culshaw

When we were at peak Norah a decade ago, she looked rather intimidated by the large crowds at venues like the Forum. Having been suddenly catapulted into the limelight she looked nervous, lacked any real stage charisma and her so-so band looked like the kind of musicians you’d find in an average bar in Brooklyn, competent rather than anything remarkable.

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theartsdesk on Vinyl 32: OMD, Twin Peaks, Bicep, Sisters of Mercy and more

Thomas H Green

September and October see a deluge of new releases. Everybody and their aunt puts out an album as autumn hits, so theartsdesk on Vinyl appears this month (and next) in a slightly expanded edition. As ever, the fare on offer is as diverse as possible, from black metal to Afro-funk via film and TV soundtracks. All musical life is here, ripe and waiting.

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Reissue CDs Weekly: Ducks Deluxe

Kieron Tyler

That this year is the 40th anniversary of 1977, the year punk rock went mainstream, shouldn’t obscure the pub rock foundations underpinning much of what was supposedly new. The Clash’s Joe Strummer had fronted pub circuit regulars The 101’ers. In 1976, the Sex Pistols regularly played West London pub The Nashville Rooms.

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Neil Sedaka, Royal Albert Hall review - sparkly veteran defies the decades

Liz Thomson

As pretty much everything but a plague of locusts is visited upon this grim old world, an evening in the company of Neil Sedaka is the greatest of pick-me-ups. At the Royal Albert Hall on Monday, as his UK tour drew to a close, the capacity audience clearly felt uplifted, borne aloft on a raft of enduring songs and the evident enjoyment of the man who wrote them.

Sixty years ago...

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Mads Mathias, Pizza Express Jazz Club - honeyed yet precise

Matthew Wright

Caressing the microphone, and gazing into the audience with winsome, soulful sincerity, tousled auburn locks glistening in the stage light, Mads Mathias looks like nothing so much as Ed Sheeran’s more handsome older brother.

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Reissue CDs Weekly: Take What You Need - UK Covers of Bob Dylan Songs 1964-69

Kieron Tyler

In February 1965, Melody Maker asked John Lennon about his personal enthusiasm for Bob Dylan material and Dylan interpretations. “I just felt like going that way,” he said about the new acoustic guitar-based material The Beatles were then recording at Abbey Road.

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Bridgewater Hall 21st Birthday review - from voice and guitar to four pianos

Robert Beale

Every 21st birthday deserves a party, and the Bridgewater Hall in Manchester celebrated the anniversary of its opening with a weekend of fun and "access" events, ending with a recital by four pianists on its four Steinway pianos – playing them all at once, in eight-hand arrangements.

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Reissue CDs Weekly: FJ McMahon

Kieron Tyler

Once heard, 1969’s Spirit of the Golden Juice is not forgotten. F. J. McMahon’s sole album is imbued with the heavy air of desolation. Its nine country tinged songs are also melodic and as good as those by Tim Hardin and Fred Neil, with whom McMahon is most often compared. Unlike them, McMahon had not steered a path through the folk circuit to achieve recognition.

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The Psychedelic Furs, Concorde 2, Brighton review - classy new wave pop ruined by bad sound

Thomas H Green

This is, in many ways, an underwhelming evening, but the fault does not primarily lie with The Psychedelic Furs. Things start well with support act Lene Lovich who gives a lively performance, in a black’n’red ensemble with striped sleeves and a gigantic, beribboned, plaited wig/hair/hat confabulation which has something of Big Chief Sitting Bull about it. Despite not playing her only Top 10 hit, 1979’s “...

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