New Music Reviews
Reissue CDs Weekly: The BeatlesSunday, 24 December 2017![]()
The official reissue of The Beatles’ Christmas records is a major event. Since Live at the BBC was issued in 1994, archive Beatles’ releases have fallen into two categories. Read more... |
Reissue CDs Weekly: Northern Soul's Classiest Rarities Volume 6Sunday, 17 December 2017![]()
The title Northern Soul's Classiest Rarities Volume 6 suggests this 24-track compilation might be a rag-bag; a collection of random musical floor-sweepings which couldn’t be collected under any other heading. Not a bit of it. Instead, every contribution is a gem. Anyone into soul – Northern, or any of its forms – will get a buzz from this collection. Read more... |
Liam Gallagher, Brighton Centre review - a rip-roaring sing-alongSaturday, 16 December 2017![]()
Liam Gallagher is a great rock star. However, he often comes across as not a likeable person. He’s called himself “a cunt” on more than one occasion. But he bleeds inarticulate insouciance and arrogant rage. He doesn’t raise even half a smile throughout this whole gig. He carries himself with a chin-jutting, I-dare-you posture that adds up to charisma. And he can sneer-sing the hell out of a song. All that stuff used to be what we wanted from our singers before the post-Travis era of fleece-... Read more... |
theartsdesk on Vinyl 35: Christmas 2017 Special with Pink Floyd, Mariah Carey, ELO, Madness and moreWednesday, 13 December 2017![]()
The music business is about to disappear on holiday wholesale and we won’t see hide nor hair of it until mid-January. There’s just time for one last 2017 vinyl celebration. Regular readers should be warned that theartsdesk on Vinyl becomes rather easy-going at this time of year – must be all the Baileys – and prone to making allowances for the odd sliver of cheese and office-party silliness.... Read more... |
Reissue CDs Weekly: PentangleSunday, 10 December 2017![]()
A nineteen-minute adaptation of “Jack Orion” took up the whole of Side Two of Cruel Sister, Pentangle’s fourth album. It's the highlight of the smart but blandly titled 115-track box set The Albums 1968–1972. Up to this point in 1970, British folk rock had not spawned anything comparable to the epic “Jack Orion”. Read more... |
Robert Plant, Royal Albert Hall review - the voice remains the sameSaturday, 09 December 2017![]()
“Back in the Sixties, before I was born…” Robert Plant has always been as amusing a raconteur as he is a deft weaver of different musical styles, and last night’s show at the Royal Albert Hall was no exception. Read more... |
theartsdesk on Vinyl 34: Trent Reznor, Shpongle, Roni Size, Willie Nelson and moreTuesday, 05 December 2017![]()
With December upon us theartsdesk on Vinyl has been kept busy with sacks full of fantastic plastic, so much so that we’re saving the poppier stuff for a pre-Christmas blow-out in a week’s time, so watch out for that. Read more... |
Tom Russell, 100 Club review - tales from a time-honoured troubadourMonday, 04 December 2017![]()
Nothing beats a great singer-songwriter live and unadorned. So it was with Tom Russell at London’s 100 Club on the penultimate night of his UK tour. Accompanied by his faithful friend the brilliant Milanese Max Bernadino on guitar, the man whom Lawrence Ferlinghetti describes as “Johnny Cash, Jim Harrison and Charles Bukowski rolled into one” gave a brilliant performance which was a masterclass in audience engagement. Read more... |
Reissue CDs Weekly: The Rolling StonesSunday, 03 December 2017![]()
Until now, the easiest non-bootleg way to hear the early Rolling Stones live was via the various home cinema editions of October 1964’s T.A.M.I. show. Otherwise, although they employed backing tracks for broadcast, the American DVDs of their Ed Sullivan Show appearances caught the band in thrilling full flight. Read more... |
Reissue CDs Weekly: The JamSunday, 26 November 2017![]()
In 1976, Polydor Records was actively considering signing the Sex Pistols. The label’s Chris Parry checked them out live in Birmingham during August. In September, he had a prime spot behind the mixing desk at the 100 Club’s punk festival from which to consider British punk rock’s figureheads. Read more... |
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