wed 09/07/2025

Classical Reviews

BBC Proms: Bernstein - Mass

alexandra Coghlan

Why so many empty seats at last night’s Prom? Bringing together several choruses, a percussion-augmented orchestra, dancers, actors, rock-band and children’s choir, Leonard Bernstein’s Mass is surely a Proms dream – a genuinely eclectic work with something for just about everybody. But even as some 11 different Welsh ensembles sung, jived, clapped and shouted for our entertainment yesterday, there was no getting away from the issues with Bernstein’s ageing, mongrel score.

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Classical CDs Weekly: Elgar, Goebbels, Baiba Skride

graham Rickson

 

Elgar: Enigma Variations, Cockaigne Overture, Pomp and Circumstance Marches 1-5 Royal Philharmonic Orchestra/Barry Wordsworth (RPO)

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BBC Proms: The English Concert and Choir, Bicket

Charlotte Gardner

What better work for Harry Bicket and The English Concert to perform at the Proms than Bach's joyous Mass in B Minor. Joyous firstly because of the music itself, with its vast stylistic and emotional range. Joyous secondly because, despite the intense scholarship to which Bach and his music have been subjected over the years, its genesis remains unusually shrouded in mystery for such a major work.

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BBC Proms: BBCSO, BBC Proms Youth Choir, Robertson

alexandra Coghlan

Another day at the Proms, another English choral masterpiece. Last night it came courtesy of the newly formed BBC Proms Youth Choir – a moveable feast of an ensemble that will bring together different youth choirs from across the UK over the next three years. I can’t imagine a more apt work to inaugurate the project than Tippett’s bravely painful meditation on human cruelty and capacity for endurance, A Child of Our Time.

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BBC Proms: BBC National Orchestra and Chorus of Wales, BBC Symphony Chorus, Otaka

alexandra Coghlan

Our athletes over at the Olympic Village might not yet have brought home a gold, but in an all-English programme at the Proms last night the BBC National Orchestra of Wales and combined BBC Symphony Chorus and BBC National Chorus of Wales under Tadaaki Otaka surely did just that.

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BBC Proms: Les 24 Violons du Roy/L'Arpeggiata

alexandra Coghlan

It’s not quite 76 trombones, but back in 1570 24 violins were the height of sophistication and innovation at the French court. While in England we still persisted with our viols and gambas, in France the new vogue for the violin had travelled from Italy and the King ordered a full string orchestra’s-worth for his entertainment.

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BBC Proms: Aldeburgh World Orchestra, Elder

alexandra Coghlan

Formed especially for the London 2012 Festival, the Aldeburgh World Orchestra does what it says on the tin: bringing together talented young musicians from across the world in a single youth orchestra.

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BBC Proms: West-Eastern Divan Orchestra, Barenboim (Concert Five)/ Members of the West–Eastern Divan Orchestra, Roth

Igor Toronyi-Lalic

And so we came to the Ninth. But wasn't it meant to be the only work on the programme? Why then was I hearing Boulez? A mishap: the final movement saw the quartet of soloists fall apart so comprehensively that, momentarily, it began to sound like they'd slipped into some unscheduled Modernism. We should be so lucky.

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BBC Proms: West-Eastern Divan Orchestra, Barenboim (Concert Four)/ Kronos Quartet

Igor Toronyi-Lalic

Much has been written about how old-fashioned Daniel Barenboim's Beethoven cycle feels. Yet what can seem backward-looking is in fact a perfect reflection of Barenboim's personality. Each and every symphony appears with a swagger in its step and a cigar in its mouth. Last night's instalment - taking us to the Seventh and Eighth Symphonies - was no different.

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BBC Proms: West-Eastern Divan Orchestra, Barenboim (Concert 3)

alexandra Coghlan

We’ve had more than our fair share of Beethoven symphonies in London recently. But with the Proms’s monolithic Daniel Barenboim cycle now midway through, memories of Riccardo Chailly and John Eliot Gardiner are being steadily blotted out. Gone are the frisky tempos, the lightness of touch, and in their place we’re being reintroduced to Beethoven the heavyweight.

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