book reviews and features
Wole Soyinka: Chronicles from the Land of the Happiest People on Earth review – sprawling satire of modern-day Nigeria
Thursday, 07 October 2021
Eight-years passed between the publication of Wole Soyinka’s debut novel, The Interpreters (1965), and his second, Season of Anomy (1973). A lot happened in... Read more... |
Extract: The Breaks by Julietta Singh
Wednesday, 06 October 2021
How do we mother “at the end of the world”? Among the ruins of late capitalism, climate catastrophe, and entrenched white state violence? Julietta Singh “admit[s]... Read more... |
Ananyo Bhattacharya: The Man from the Future review - the man, the maths, the brain
Tuesday, 05 October 2021
Suppose I’m a novelist plotting a panoramic narrative through world-shaping moments of the first half of the 20th century. I’ll need a character who can visit a bunch of key sites. Göttingen in... Read more... |
Ruby Tandoh: Cook As You Are review - truly a trailblazer
Monday, 04 October 2021
Ever since her appearance on The Great British Bake Off in 2013, Ruby Tandoh has been a breath of fresh air to the food... Read more... |
10 Questions for writer Lucia Osborne-Crowley
Tuesday, 28 September 2021
Anyone familiar with psychiatrist Bessel van der Kolk’s bestseller The Body Keeps the Score (2014) will recognise the ghost of his title in Lucia Osborne-Crowley’s My Body Keeps... Read more... |
Barry Adamson: Up Above the City, Down Beneath the Stars review - the post-punk colossus spills his guts in a raw style
Friday, 24 September 2021
For those not familiar with the murkier corners of British rock music history, Barry Adamson was a significant... Read more... |
Thomas Hardy: Fate, Exclusion and Tragedy, Sky Arts review – too much and not enough
Wednesday, 22 September 2021
Born in 1840, Thomas Hardy lived a life of in-betweens. Modern yet traditional, the son of a builder who went on to become a famous... Read more... |
Colson Whitehead: Harlem Shuffle review - period piece speaks to the present
Tuesday, 21 September 2021
More than once, reading Colson Whitehead’s latest novel Harlem Shuffle, the brilliant Josh and Benny Safdie movie Uncut Gems from 2019 came to mind, which was... Read more... |
Sebastian Faulks: Snow Country review - insects under a stone
Monday, 20 September 2021
Historical fiction – perhaps all fiction – presents its authors with the problem of how to convey contextual information that is external to the plot but necessary to the reader’s understanding of... Read more... |
Claire-Louise Bennett: Checkout 19 review - coming to life
Monday, 06 September 2021
Like any good writer, Claire-Louise Bennett loves lists. Lists are, after all, those moments when words, freed from grammar’s grip, can simply be themselves – do their own thing, show off,... Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Music Reissues Weekly: Roots Rocking Zimbabwe
“Soul Scene,” by Echoes Limited, is built from elements of the James Brown sound. But it’s put together in such a way that the result is...
Supergrass, Barrowland, Glasgow review - nostalgia played wi...
It is a family affair at Supergrass shows these days. There were plenty of parents and offspring filing onto the Barrowland’s famous old...
Louis Cole, Roundhouse review - nothing is everything
London's iconic Roundhouse, packed to the rafters, provided the perfect setting for the UK premiere of Louis Cole's groundbreaking album ...
Album: Peter Doherty - Felt Better Alive
Following on from an impressive set with the Libertines – last year’s No 1 album All Quiet On The Eastern Esplanade – Peter Doherty...
Here We Are, National Theatre review - Sondheim's sensa...
You don't have to be greeting the modern day with a smile unsupported by events in the wider world to have a field day at Here We Are....
Riefenstahl review - fascinating fascism? Portrait of the Na...
There used to be an unwritten rule among BBC commissioners about how long an interval had to pass before greenlighting a new documentary on a...
Giant, Harold Pinter Theatre review - incendiary Roald Dahl...
When Mark Rosenblatt was preparing his debut play, the miseries of the assault on Gaza were still over the horizon. Now they are here,...
'Classic-era prog’s Olympian pinnacle': Pink Floyd...
Pink Floyd’s “Echoes”, the ineffable progressive rock epic that occupies side two of...
The Surfer review - Nicolas Cage is relentlessly down and ou...
“Don’t live here, don’t surf here,” is the menacing motto (sounds more scary with an Australian accent) of the tanned, muscular denizens of Luna...