book reviews and features
Colin Herd and Maria Sledmere: Cocoa and Nothing review - arts of sinking
Saturday, 01 April 2023
In his mock-poetic manual Peri-Bathos (1728), Alexander Pope opens by describing the afflictions which beset inhabitants of the lower Parnassus. The aristocracy living further up the... Read more... |
Seraphina Madsen: Aurora review - the tarot won’t save us
Tuesday, 28 March 2023
“There is another world… a way of perceiving that is chaotic and awesome and terrifying,” announces Seraphina Madsen’s cigarillo-smoking, telepathic cat. Lecturing a teenage coven on the art... Read more... |
Margaret Atwood: Old Babes in the Wood review - bookending the short story
Tuesday, 14 March 2023
Margaret Atwood has been writing for sixty years now, and, with her latest publication, she has given us a book... Read more... |
Janet Malcolm: Still Pictures - On Photography and Memory review - a rare glimpse at a guarded personal history
Saturday, 11 March 2023
For almost half a century, from the mid-1960s until her death in 2021, Janet Malcolm was a staff writer on the New Yorker where her meticulous reporting and provocatively strong opinions... Read more... |
Nicole Flattery: Nothing Special review - returning to the Factory
Wednesday, 08 March 2023
It seems that Andy Warhol’s Factory – silver-dusted and populated with tragic, drug-addicted minor... Read more... |
Will Harris: Brother Poem review - writing the poems that could have been
Saturday, 04 March 2023
You shouldn’t always judge a book by its cover, but you can get pretty far with an epigraph. The epigraph to Will Harris’s new collection, Brother Poem (following his T. S. Eliot Prize-... Read more... |
Disbelief - 100 Russian Anti-War Poems (ed. Julia Nemirovskaya) review - writing battle-lines
Thursday, 23 February 2023
On 24th February 2022, when Vladimir Putin launched his “special military operation”, life in Ukraine changed abruptly and in a brutal fashion. Soon the impact of the war was felt around the world... Read more... |
Sally Adee: We Are Electric review - currents that run through us all
Friday, 17 February 2023
All the things going on with me as I type this – fingers moving keys, eye and brain registering characters on my screen, thoughts that will (I hope) generate the next lot of characters – rely on... Read more... |
Extract: The Northern Silence - Journeys in Nordic Music and Culture by Andrew Mellor
Wednesday, 15 February 2023
“Silence,” Andrew Mellor contends, “is more prominent in the northernmost reaches of Europe.” Yet it is more like a texture or an apprehension of vacancy than a state of true soundlessness:... Read more... |
'I let it emerge': an interview with Fiona Benson on the cusp of the TS Eliot Prize announcement
Friday, 20 January 2023
Fiona Benson’s new collection of poems, Ephemeron (Jonathan Cape, 2022), tries to capture those things that are always moving out of grasp. It does this through four sections: the first... Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Music Reissues Weekly: Roots Rocking Zimbabwe
“Soul Scene,” by Echoes Limited, is built from elements of the James Brown sound. But it’s put together in such a way that the result is...
Supergrass, Barrowland, Glasgow review - nostalgia played wi...
It is a family affair at Supergrass shows these days. There were plenty of parents and offspring filing onto the Barrowland’s famous old...
Louis Cole, Roundhouse review - nothing is everything
London's iconic Roundhouse, packed to the rafters, provided the perfect setting for the UK premiere of Louis Cole's groundbreaking album ...
Album: Peter Doherty - Felt Better Alive
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Here We Are, National Theatre review - Sondheim's sensa...
You don't have to be greeting the modern day with a smile unsupported by events in the wider world to have a field day at Here We Are....
Riefenstahl review - fascinating fascism? Portrait of the Na...
There used to be an unwritten rule among BBC commissioners about how long an interval had to pass before greenlighting a new documentary on a...
Giant, Harold Pinter Theatre review - incendiary Roald Dahl...
When Mark Rosenblatt was preparing his debut play, the miseries of the assault on Gaza were still over the horizon. Now they are here,...
'Classic-era prog’s Olympian pinnacle': Pink Floyd...
Pink Floyd’s “Echoes”, the ineffable progressive rock epic that occupies side two of...
The Surfer review - Nicolas Cage is relentlessly down and ou...
“Don’t live here, don’t surf here,” is the menacing motto (sounds more scary with an Australian accent) of the tanned, muscular denizens of Luna...