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Thomas H Green

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Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.

Articles By Thomas H Green

theartsdesk on Vinyl 29: The Beatles, Kraftwerk, Sikth, ESG, Alice Coltrane and more

Thursday, 22 June 2017 Read more...

CD: Katy Perry - Witness

Wednesday, 14 June 2017 Read more...

CD: Royal Philharmonic Orchestra - The Anarchy Arias

Wednesday, 07 June 2017 Read more...

CD: DJ Hell - Zukunftsmusik

Saturday, 27 May 2017 Read more...

theartsdesk on Vinyl 28: Manic Street Preachers, Joep Beving, Wreckless Eric, SWANS and more

Friday, 26 May 2017 Read more...

Adam Buxton's Bowie Bug, Brighton Festival review - a comic PowerPoint masterclass

Wednesday, 24 May 2017 Read more...

Rich Hall's Hoedown, Brighton Festival review - country comedy trumps hecklers

Tuesday, 23 May 2017 Read more...

m¡longa, Brighton Festival review - sensual tango explosion

Saturday, 20 May 2017 Read more...

CD: Shitkid - Fish

Saturday, 20 May 2017 Read more...

Jeremy Hardy, Brighton Festival review - expert raconteur shows political bite

Thursday, 18 May 2017 Read more...

Casus Circus Driftwood, Brighton Festival review - eye-boggling gymnastic theatre

Tuesday, 16 May 2017 Read more...

High Focus Records showcase, Brighton Festival review - smart hip hop, dodgy sound

Saturday, 13 May 2017 Read more...

Kate Tempest with Orchestrate, Brighton Festival review - heartfelt poetic dynamite

Friday, 12 May 2017 Read more...

CD: Pumarosa - The Witch

Thursday, 11 May 2017 Read more...

Jeramee, Hartleby and Oooglemore, Brighton Festival review - impeccably crafted silliness

Tuesday, 09 May 2017 Read more...

Under The Skin, Brighton Festival review - slow-burning sci-fi gem with live Mica Levi soundtrack

Monday, 08 May 2017 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Good Night, Oscar, Barbican review - sad story of a Hollywoo...

Back in the day, when America’s late-night chat show hosts and their guests sat happily smoking as they shot the breeze for a growing...

Edinburgh Fringe 2025 reviews - Rob Auton / Saaniya Abbas

Rob Auton, Assembly Roxy ★★★...

BBC Proms: Láng, Cser, Budapest Festival Orchestra, Ivan Fis...

“Some are born to sweet delight, some are born to endless night,” quoth Blake. Beethoven and Bartók knew both...

Wilderness Festival 2025 review - seriously delirious escapi...

Wilderness is the kind of festival where you can overhear a conversation about the philosophical implications of rewilding whilst queuing...

Album: Ethel Cain - Willoughby Tucker, I'll Always Love...

This is a weird one: I do try and stay on top of pop culture, but for several years, Ethel Cain completely passed me by. You’d think I would have...

Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★★...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...