mon 12/05/2025

Thomas H Green

Thomas H. Green's picture
Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.

Articles By Thomas H Green

Albums of the Year 2019: The Chemical Brothers - No Geography

Read more...

theartsdesk on Vinyl Christmas Special 2019

Read more...

theartsdesk on Vinyl 55: Peaky Blinders, Graham Coxon, 2 Tone, Redrago, Gary Numan, The Clash and more

Read more...

Blu-ray: A Fistful of Dynamite

Read more...

My Baby, Concorde 2, Brighton review - Dutch three-piece deliver trance dance power

Read more...

CD: Liam Payne - LP1

Read more...

The Chemical Brothers, O2 review - eye-boggling monster rave-up

Read more...

CD: Pete Tong & HER-O - Chilled Classics

Read more...

Iggy Pop, Barbican review - proto-punk legend goes jazz... sort of

Read more...

theartsdesk on Vinyl 54: The Beatles, Prince, Kid Acne, Nirvana, Teebs, Monty Python, Pulp and more

Read more...

CD: The Script - Sunsets & Full Moons

Read more...

CD: Michael Kiwanuka - Kiwanuka

Read more...

CD: Jacques Greene - Dawn Chorus

Read more...

Alice Cooper, The Stranglers, MC50, Brighton Centre review - a triple-headed blast of vintage rock

Read more...

CD: 808 State - Transmission Suite

Read more...

theartsdesk on Vinyl 53: U2, Moonlight Parade, Oasis, Stray Cats, Crass, Prefab Sprout and more

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Music Reissues Weekly: Roots Rocking Zimbabwe

“Soul Scene,” by Echoes Limited, is built from elements of the James Brown sound. But it’s put together in such a way that the result is...

Supergrass, Barrowland, Glasgow review - nostalgia played wi...

It is a family affair at Supergrass shows these days. There were plenty of parents and offspring filing onto the Barrowland’s famous old...

Louis Cole, Roundhouse review - nothing is everything

London's iconic Roundhouse, packed to the rafters, provided the perfect setting for the UK premiere of Louis Cole's groundbreaking album ...

Album: Peter Doherty - Felt Better Alive

Following on from an impressive set with the Libertines – last year’s No 1 album All Quiet On The Eastern Esplanade – Peter Doherty...

Here We Are, National Theatre review - Sondheim's sensa...

You don't have to be greeting the modern day with a smile unsupported by events in the wider world to have a field day at Here We Are....

Riefenstahl review - fascinating fascism? Portrait of the Na...

There used to be an unwritten rule among BBC commissioners about how long an interval had to pass before greenlighting a new documentary on a...

Giant, Harold Pinter Theatre review - incendiary Roald Dahl...

When Mark Rosenblatt was preparing his debut play, the miseries of the assault on Gaza were still over the horizon. Now they are here,...

'Classic-era prog’s Olympian pinnacle': Pink Floyd...

Pink Floyd’s “Echoes”, the ineffable progressive rock epic that occupies side two of...

The Surfer review - Nicolas Cage is relentlessly down and ou...

“Don’t live here, don’t surf here,” is the menacing motto (sounds more scary with an Australian accent) of the tanned, muscular denizens of Luna...