wed 06/08/2025

Robert Beale

Articles By Robert Beale

The Magic Flute, Opera North review - a fresh vision of Mozart’s masterpiece

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Hallé, Wong, Bridgewater Hall, Manchester review - declaration of thrills to come

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Lewis, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - adding the Moon to The Planets

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Bavouzet, Nemecz, McLachlan, Manchester Camerata, Takács-Nagy, Stoller Hall, Manchester review - finish line of a remarkable marathon

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Donohoe, Roscoe, Stoller Hall, Manchester review - two great pianists celebrate 50 years

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The Butterfly House, Clonter Opera review - Puccini in biographical briefs

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theartsdesk at the Buxton International Festival - power and glory in early Verdi

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Hallé, Elder, Bridgewater Hall, Manchester review - a fine and fitting finale for Sir Mark

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Hough, Hallé, Elder, Bridgewater Hall, Manchester review - affection and adventure

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Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Manchester review - fun with abandon

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Sansara, Manchester Collective, Bridgewater Hall, Manchester review - sense of a unique experience

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Hallé, Wong, Bridgewater Hall, Manchester review - meeting a musical communicator

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Špaček, BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manchester review - three flavours of Vienna

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Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester review - thrilling, magnificent exploration

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Marwood, Power, Watkins, Hallé, Adès, Bridgewater Hall, Manchester review - sonic adventure and luxuriance

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Cargill, Kantos Chamber Choir, Manchester Camerata, Menezes, Stoller Hall, Manchester review - imagination and star quality

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Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...

Make It Happen, Edinburgh International Festival 2025 review...

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and...