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peter quinn

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Peter has written on music for BBC Music Magazine, International Record Review, Jazzwise, Songlines, Tempo, The i and The Times Literary Supplement. His performing experience ranges from John Cage at the Barbican to jazz fusion at Ronnie Scott’s to traditional Irish music at the BBC Proms.

Articles By Peter Quinn

2022 Parliamentary Jazz Awards: baubles, bromides and birthdays

Thursday, 07 July 2022 Read more...

Album: James Vincent McMorrow - The Less I Knew

Saturday, 25 June 2022 Read more...

Album: Cécile McLorin Salvant - Ghost Song

Saturday, 26 February 2022 Read more...

Albums of the Year 2021: Eliane Elias - Mirror Mirror

Monday, 03 January 2022 Read more...

Cécile McLorin Salvant, EFG London Jazz Festival review - strength, vulnerability and humour

Thursday, 18 November 2021 Read more...

Jazz Voice, EFG London Jazz Festival review - from intimate delicacy to stunning virtuosity

Sunday, 14 November 2021 Read more...

Album: Golden Child - Game Changer

Saturday, 07 August 2021 Read more...

Album: Laura Mvula - Pink Noise

Wednesday, 30 June 2021 Read more...

Album: Tomorrow X Together - The Chaos Chapter: Freeze

Saturday, 05 June 2021 Read more...

Album: Crowded House - Dreamers Are Waiting

Saturday, 29 May 2021 Read more...

Albums of the Year 2020: Maria Schneider Orchestra - Data Lords

Wednesday, 06 January 2021 Read more...

Album: BTS - Be

Monday, 23 November 2020 Read more...

Hutchings, Britten Sinfonia, Paterson, Barbican online review – saluting an American classic

Thursday, 19 November 2020 Read more...

Jazz Voice, Cadogan Hall online - from rambunctious to bittersweet

Saturday, 14 November 2020 Read more...

Album: Tom Misch & Yussef Dayes - What Kinda Music

Friday, 24 April 2020 Read more...

Album: Sergio Mendes - In the Key of Joy

Wednesday, 26 February 2020 Read more...

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Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★★...

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Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

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Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ★★★...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...