tue 05/08/2025

Liz Thomson

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Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

Album: Rhiannon Giddens - You're the One

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Judy Collins, Cambridge Folk Festival review - celebrating a seminal Sixties' album

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Album: Lucinda Williams - Stories from a Rock ‘n’ Roll Heart

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Polly Toynbee: An Uneasy Inheritance - My Family and Other Radicals review - looking back

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Album: Rufus Wainwright - Folkocracy

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Gretchen Peters, Cadogan Hall review - writer and performer of exquisite gems

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Album: The Milk Carton Kids - I Only See the Moon

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Album: Rodrigo y Gabriela - In Between Thoughts… A New World

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Album: Reg Meuross - Stolen from God

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Suzanne Vega, Royal Festival Hall review - the years melt away

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Album: Willie Nelson - I Don't Know a Thing About Love: The Songs of Harlan Howard

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Transatlantic Sessions, Southbank Centre - an evening of stellar music-making

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Album: Shania Twain - Queen of Me

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Albums of the Year 2022: Janis Ian - The Light at the End of the Line

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Album: Neil Diamond - A Neil Diamond Christmas

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Mary Gauthier, Union Chapel review - a living room concert in all but name

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latest in today

'We are bowled over!' Thank you for your messages... ...
Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...

Make It Happen, Edinburgh International Festival 2025 review...

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and...

Folkestone Triennial 2025 - landscape, seascape, art lovers...

A rare cloud form envelopes the headland and to the east and the west Folkestone is cut off from the known world. This mist shortens...