thu 19/06/2025

Kieron Tyler

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Bio
Kieron Tyler has contributed to Britain's MOJO magazine since 1999 and is the author of 'Smashing It Up: A Decade Of Chaos With The Damned', the critically-acclaimed and definitive biography of the first decade of the pioneering British punk rock band. His writing has also appeared in Billboard (America), The Guardian, i (the newspaper), The Independent, Les Inrockuptibles (France), Music Week, Q, Rumba (Finland) and Ugly Things (America).

Articles By Kieron Tyler

Reissue CDs Weekly: A Slight Disturbance In My Mind

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Reissue CDs Weekly: Matt Monro - Stranger In Paradise

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Reissue CDs Weekly: Cream - Goodbye Tour Live 1968

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Reissue CDs Weekly: Eric Burdon & The Animals - When I Was Young: The MGM Recordings 1967-1968

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Alice Boman, Union Chapel review - Swedish singer-songwriter confounds expectations

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Reissue CDs Weekly: Bona Rays

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Album: Lanterns On The Lake - Spook The Herd

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Reissue CDs Weekly: The Honeycombs - Have I The Right? The Complete 60s Albums & Singles

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Reissue CDs Weekly: Hank Williams

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theartsdesk in Aalborg: Northern Winter Beat 2020 review

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Reissue CDs Weekly: Tea & Symphony - The English Baroque Sound 1968-1974

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Album: Isobel Campbell - There Is No Other

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Reissue CDs Weekly: Game Theory - Across The Barrier Of Sound

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Reissue CDs Weekly: The Beloved - Where It Is

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Album: Aoife Nessa Frances - Land of No Junction

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Reissue CDs Weekly: She Came From Liverpool! - Merseyside Girl-Pop 1962-1968

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'We are bowled over!' Thank you for your messages... ...
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Edith Wharton hadn’t finished her novel, The Buccaneers, when she died in 1937, but it was completed in 1993 by Marion Mainwaring. The...

The Midnight Bell, Sadler's Wells review - a first repr...

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Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...