Katherine Waters

Articles By Katherine Waters

Gazelle Twin, Mirth, Marvel and Maud review - sardonic folk Saturday, 14 September 2019 Read more...	Anahera, Finborough Theatre review - blistering family drama from New Zealand Saturday, 07 September 2019 Read more...
Peaches, Royal Festival Hall review - blissful anarchy Thursday, 29 August 2019 Read more...	Barber Shop Chronicles, Roundhouse review - riotous theatre at its best Thursday, 25 July 2019 Read more...
Helen Schjerfbeck, Royal Academy review - watchful absences and disappearing people Monday, 22 July 2019 Read more...	Svetlana Alexievich: Last Witnesses: Unchildlike Stories review - anything but childish Sunday, 30 June 2019 Read more...
Cutting Edge: Modernist British Printmaking, Dulwich Picture Gallery review - a cut above Wednesday, 19 June 2019 Read more...	Napoli, Brooklyn, Park Theatre review - lacking substance Tuesday, 18 June 2019 Read more...
Education, Education, Education, Trafalgar Studios review - politics and pupils, mayhem and music Thursday, 06 June 2019 Read more...	Frank Bowling, Tate Britain review - a marvel Wednesday, 05 June 2019 Read more...
Manga, British Museum review - stories for outsiders Thursday, 23 May 2019 Read more...	Anish Kapoor, Lisson Gallery review - naïve vulgarity and otherworldly onyx Tuesday, 21 May 2019 Read more...
58th Venice Biennale review - confrontational, controversial, principled Tuesday, 14 May 2019 Read more...	Cathy Wilkes, British Pavilion, Venice Biennale review - poetic and personal Tuesday, 14 May 2019 Read more...
Mike Jay: Mescaline - A Global History of the First Psychedelic review - multiple perspectives Sunday, 12 May 2019 Read more...	Who’s Afraid of Drawing? Works on Paper from the Ramo Collection, Estorick Collection review - surprising and rewarding Thursday, 25 April 2019 Read more...

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Prost, BBC 4 review - life and times of the driver they call...

With Brad Pitt’s much-trumpeted F1 movie about to screech noisily into the multiplexes, it’s not a bad time to be reminded of the career of one of...

Classical CDs: Bells, whistles and bowing techniques

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Album: Yungblud – Idols
Yungblud has declared his fourth album, Idols, to be a “a project with no limitations”. This is quite a claim.
So, what musical...

Monteverdi Choir, English Baroque Soloists, Suzuki, St Marti...
In the Saxony of 1725 – still in the grip of Europe’s “Little Ice Age” – Bach and his musicians would seldom have had to deal with the sort of...

Patrick Wolf, Rough Trade East review - the Kent-based bard...
After the evening’s second song “The Last of England,” Patrick Wolf cautions “I’ve got nothing left to say.” During the shows leading up to this...

4.48 Psychosis, Royal Court review - powerful but déjà vu
Sarah Kane is the most celebrated new writer of the 1990s. Her work is provocative and innovative. So it seems oddly unimaginative to mark the...

The Buccaneers, Apple TV+, Season 2 review - American advent...
Edith Wharton hadn’t finished her novel, The Buccaneers, when she died in 1937, but it was completed in 1993 by Marion Mainwaring. The...

Red Path review - the dead know everything
Here’s a film you might not feel like seeing. After all, Red Path tells of a 14-year-old in Tunisia who is forced to carry home the...

Album: Loyle Carner - Hopefully!
Loyle Carner’s Hopefully! is a luminous, deeply personal exploration of fatherhood, identity, and artistic reinvention, marking the south...