Katherine Waters

Articles By Katherine Waters

Gazelle Twin, Mirth, Marvel and Maud review - sardonic folk Saturday, 14 September 2019 Read more...	Anahera, Finborough Theatre review - blistering family drama from New Zealand Saturday, 07 September 2019 Read more...
Peaches, Royal Festival Hall review - blissful anarchy Thursday, 29 August 2019 Read more...	Barber Shop Chronicles, Roundhouse review - riotous theatre at its best Thursday, 25 July 2019 Read more...
Helen Schjerfbeck, Royal Academy review - watchful absences and disappearing people Monday, 22 July 2019 Read more...	Svetlana Alexievich: Last Witnesses: Unchildlike Stories review - anything but childish Sunday, 30 June 2019 Read more...
Cutting Edge: Modernist British Printmaking, Dulwich Picture Gallery review - a cut above Wednesday, 19 June 2019 Read more...	Napoli, Brooklyn, Park Theatre review - lacking substance Tuesday, 18 June 2019 Read more...
Education, Education, Education, Trafalgar Studios review - politics and pupils, mayhem and music Thursday, 06 June 2019 Read more...	Frank Bowling, Tate Britain review - a marvel Wednesday, 05 June 2019 Read more...
Manga, British Museum review - stories for outsiders Thursday, 23 May 2019 Read more...	Anish Kapoor, Lisson Gallery review - naïve vulgarity and otherworldly onyx Tuesday, 21 May 2019 Read more...
58th Venice Biennale review - confrontational, controversial, principled Tuesday, 14 May 2019 Read more...	Cathy Wilkes, British Pavilion, Venice Biennale review - poetic and personal Tuesday, 14 May 2019 Read more...
Mike Jay: Mescaline - A Global History of the First Psychedelic review - multiple perspectives Sunday, 12 May 2019 Read more...	Who’s Afraid of Drawing? Works on Paper from the Ramo Collection, Estorick Collection review - surprising and rewarding Thursday, 25 April 2019 Read more...

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The Producers, Garrick Theatre review - Ve haf vays of makin...

Unexpectedly, there’s a sly reference to James Joyce’s Ulysses interpolated into Act One (in case we hadn’t caught the not...

Appl, Levickis, Wigmore Hall review - fun to the fore in cab...

Concerts at the Wigmore Hall offer many types of pleasure, but not...

Album: The Divine Comedy - Rainy Sunday Afternoon

Neil Hannon has been recording and touring as the Divine Comedy since 1989 and has tried a fair few flavours along the way, from chamber pop to...

Lammermuir Festival 2025, Part 2 review - from the soaringly...

My colleague Boyd Tonkin visited the Lammermuir Festival for the first time this year. His eyes and ears have been opened to its treasures, but...

Frances Wilson: Electric Spark - The Enigma of Muriel Spark...

How do you tell the story of a person’s mind? In the preface to Electric Spark: The Enigma of Muriel Spark, published this year by...

Blu-ray: The Sons of Great Bear

Westerns had long been popular with German cinema audiences, some of the most successful being early 1960s West German adaptations of novels by...

Spinal Tap II: The End Continues review - comedy rock band f...

That difficult second documentary – or if you will, “rockumentary” – seems to have been especially challenging for...