wed 06/08/2025

Joseph Walsh

Articles By Joseph Walsh

Being A Human Person review - enter the surreal world of Roy Andersson

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LFF 2020: Supernova review – Stanley Tucci and Colin Firth shine as couple on the road

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David Attenborough: A Life On Our Planet review - is the end nigh?

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The Trial Of The Chicago 7 review – blistering docudrama that speaks to our times

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Enola Holmes review – a new Sherlock-related franchise is afoot

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The Devil All The Time review – a test of faith in a Southern Gothic tradition

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Max Richter's Sleep review - refreshing as a good night's rest

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Mulan review - Niki Caro's live action take on the '98 classic underwhelms

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New Mutants review - superheroes and the supernatural collide

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Tenet review - a heady delight

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Ava review - Sadaf Foroughi powerhouse drama about teenage rebellion

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Random Acts of Violence review - study in horror lacks scares

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Lovecraft Country, Sky Atlantic review - Misha Green, Jordan Peele and JJ Abrams take us on horror-driven road trip

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Project Power - so-so attempt to reinvent the superhero genre

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An American Pickle review - sweet and sour screwball comedy

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Infamous review - Bonnie and Clyde for the digital age fails to deliver

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Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...