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Jonathan Geddes

Articles By Jonathan Geddes

P!nk, Hampden Park, Glasgow review - a high-wire act with bravado and bombast

Monday, 01 July 2024 Read more...

Smashing Pumpkins / Weezer, OVO Hydro, Glasgow review - double-bill of unlikely bedfellows makes a racket

Friday, 14 June 2024 Read more...

Girls Aloud, OVO Hydro, Glasgow review - pop queens return with poignant hit parade

Wednesday, 12 June 2024 Read more...

Nadine Shah, SWG3, Glasgow review - loudly dancing the night away

Tuesday, 30 April 2024 Read more...

Slash featuring Myles Kennedy and the Conspirators, OVO Hydro, Glasgow review - guitar heroics against a low-key backdrop

Friday, 05 April 2024 Read more...

Hozier, OVO Hydro, Glasgow review - sublime voice and a super-sized sound

Wednesday, 13 December 2023 Read more...

CMAT, Barrowland Ballroom, Glasgow review - an evening of exuberance

Monday, 27 November 2023 Read more...

Greta Van Fleet, OVO Hydro, Glasgow review - all rock and very little roll

Wednesday, 22 November 2023 Read more...

Maisie Peters, O2 Academy, Glasgow review - conjuring up an enjoyable pop spell

Thursday, 19 October 2023 Read more...

The Last Dinner Party, SWG3, Glasgow review - affection and adulation for rising stars

Wednesday, 11 October 2023 Read more...

New Order, OVO Hydro, Glasgow review - a nostalgia trip with a modern feel

Saturday, 07 October 2023 Read more...

The National, OVO Hydro, Glasgow, review - commanding arenas with ease

Tuesday, 26 September 2023 Read more...

The Walkmen, SWG3, Glasgow review - a classy return for New York's finest

Wednesday, 23 August 2023 Read more...

KISS, OVO Hydro, Glasgow review - familiar feel to rock legends bombastic farewell

Monday, 10 July 2023 Read more...

Peter Gabriel, OVO Hydro, Glasgow review - beaming with optimism and creativity

Saturday, 24 June 2023 Read more...

The War On Drugs, OVO Hydro, Glasgow review - impressive musicianship but a lack of excitement

Thursday, 22 June 2023 Read more...

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Edith Wharton hadn’t finished her novel, The Buccaneers, when she died in 1937, but it was completed in 1993 by Marion Mainwaring. The...

The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...