tue 06/05/2025

Jessica Duchen

Articles By Jessica Duchen

Orpheus in the Underworld, English National Opera review – ENO goes to hell

Read more...

Werther, Royal Opera review - shadows and sunsets from an unreconstructed romantic

Read more...

Beethoven Festival Weekend, Wigmore Hall review 1 - sparkle and charisma versus creative overkill

Read more...

Prom 43: Haefliger, BBCSO & Chorus, Oramo review – the frisson of the new

Read more...

theartsdesk at Bard Summerscape Festival 2019: unknown treasures and crosscurrents galore

Read more...

Prom 39: Morison, BBCNOW, Chan review - a night of inspiring firsts

Read more...

theartsdesk at Incontri in Terra di Siena: galloping concertos and Stravinsky by starlight

Read more...

Prom 14: The Creation, BBC Proms Youth Choir, BBC Philharmonic, Wellber - Haydn on the edge

Read more...

Porgy and Bess, Grange Park Opera review - good versus evil in Catfish Row

Read more...

Grosvenor, Doric Quartet, Milton Court review - cohesion or collision?

Read more...

Benjamin Grosvenor, Barbican review - virtuosity at its classiest

Read more...

Grosvenor, Doric String Quartet, Milton Court review – a night to remember

Read more...

Candide, LSO, Alsop, Barbican review - nearly the best of all possible...

Read more...

Federico Colli, Wigmore Hall review – poised on the edge of the possible

Read more...

Katya Apekisheva, Charles Owen, Kings Place review - one plus one equals a hundred

Read more...

Jansen, LSO, Rattle, Barbican review - nature's splendours and a fond farewell

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Malpractice, ITV1, Series 2 review - fear and loathing in th...

Following on from the first series of Malpractice in 2023, this second season again probes into issues of medical malfeasance and...

Shack, Union Chapel review - the surprise return of the Live...

After kicking off with the psychedelia-tinged “Sgt. Major,” they keep coming. A string of songs as Sixties-influenced as they are edgy and...

First Person: young cellist Zlatomir Fung on operatic fantas...

My new album, Fantasies, recorded with pianist Richard Fu, is the culmination of my years-long fascination with the wonderful genre of...

Blu-ray: Laurel & Hardy - The Silent Years (1928)

Eureka’s second volume of Laurel and Hardy shorts catches the pair in 1928 on the cusp of their successful...

Romeo and Juliet, Shakespeare's Globe - swagger and viv...

Holsters, Stetsons and bluegrass music bring a distinctive flavour to this...

Two to One review - bank heist with a big catch

The Ealing-like comedy heist caper Two to One is...

Album: Arcade Fire - Pink Elephant

20 years on from their first appearance on record, the seventh long-player from...

Fake, ITV1 review - be careful what you wish for

The art of the conman is persuading their victim to fool themselves, which is the premise that lies at the core of this Australian drama series....

theartsdesk Q&A: film director Déa Kulumbegashvili on he...

One of the most exciting new voices in Eastern European film, Déa Kulumbegashvili is not concerned with conventional shot lengths. She has been...