wed 06/08/2025

Jenny Gilbert

Articles By Jenny Gilbert

Ballet Nights #006, Cadogan Hall review - a mixed bag of excellence

Read more...

Ashton Celebrated, Royal Ballet review - peerless delights from the master step-smith

Read more...

Rocio Molina, Sadler's Wells Flamenco Festival review - mystery and dark magic, with a giggle

Read more...

The Winter's Tale, Royal Ballet review - what a story, and what a way to tell it!

Read more...

MacMillan Celebrated, Royal Ballet review - out of mothballs, three vintage works to marvel at

Read more...

Carmen, English National Ballet review - lots of energy, even violence, but nothing new to say

Read more...

Swan Lake, Royal Ballet review - grand, eloquent, superb

Read more...

Dark With Excessive Bright, Royal Ballet review - a close encounter with dancers stripped bare

Read more...

La Strada, Sadler's Wells review - a long and bumpy road

Read more...

Manon, Royal Ballet review - a glorious half-century revival of a modern classic

Read more...

Giselle, English National Ballet, Coliseum review - if you go down to the woods today, beware of the Wilis

Read more...

Best of 2023: Dance

Read more...

Nutcracker, Tuff Nutt Jazz Club, Royal Festival Hall review - a fresh, compelling, adult take on a festive favourite

Read more...

The Limit, Linbury Theatre review - a dance-theatre romcom that lacks both rom and com

Read more...

Anemoi / The Cellist, Royal Ballet review - a feast of music in a neat double bill

Read more...

Song of Songs, Pam Tanowitz/David Lang, Barbican Theatre review - sublime music and intricate dance bring life to a 2,000-year-old love poem

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...

Make It Happen, Edinburgh International Festival 2025 review...

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and...