thu 19/06/2025

Helen Hawkins

Articles By Helen Hawkins

Northern Ballet: Three Short Ballets, Linbury Theatre review - thrilling dancing in a mix of styles

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Vermiglio review - a simple tale, simply but beautifully told

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Oliver!, Gielgud Theatre review - Lionel Bart's 1960 masterpiece is Bourne again

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Babygirl review - would-be steamy drama that only flirts with transgression

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The Split: Barcelona, BBC One review - a soapy special with seasonally adjusted sentimentality

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Gavin & Stacey: The Finale, BBC One review - hilarious high five to an indelible cast of characters

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Strike: The Ink Black Heart, BBC One review - protracted, convoluted puzzler lifted by its leads

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Matthew Bourne's Swan Lake, New Adventures, Sadler's Wells review - 30 years on, as bold and brilliant as ever

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The Little Foxes, Young Vic review - timeshifted production blurs the play's focus

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The Producers, Menier Chocolate Factory review - liberating taboo-busting fun for grown-ups

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Ballet Shoes, Olivier Theatre review - reimagined classic with a lively contemporary feel

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Cinderella, Royal Ballet review - inspiring dancing, but not quite casting the desired spell

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Grand Theft Hamlet review - intriguing documentary about Shakespeare as multi-player shooter game

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On Becoming a Guinea Fowl review - mordant seriocomedy about buried abuse

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The Purists, Kiln Theatre review - warm, witty, thoughtful and un-woke

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All We Imagine as Light review - tender portrait of three women struggling to survive in modern Mumbai

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The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...