thu 19/06/2025

Helen Hawkins

Articles By Helen Hawkins

The Odyssey: The Underworld, National Theatre review - community effort with real heart and a great staging

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Fool's Paradise review - unfunny stab at making fun of Hollywood

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L'immensità review - enigmatic portrait of a trans teen in an unhappy family

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Matthew Bourne's Romeo + Juliet, Sadler's Wells review - exhilarating dancing, inventive moves

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Jewels, The Australian Ballet, Royal Opera House review - a sparkling parade of great dancing

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The Beanie Bubble review - an under-stuffed, misshapen product saga

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Carlos at 50, Royal Opera House review - lovingly designed gala from a still impressive star

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Grenfell: In the Words of Survivors, National Theatre review - verbatim theatre delivered to wrenching effect

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Barbie review - uneasy blend of farce and feminism

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A Playlist for the Revolution, Bush Theatre review - idealism meets reality head-on

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Song from Far Away, Hampstead Theatre review - gentle monologue from a man grappling with grief

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A Strange Loop, Barbican review - Black queer musical with confusing concept but an excellent lead

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La Syndicaliste review - a star outshines her conspiracy thriller script

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The Super 8 Years review - Nobel laureate’s meditative self-portrait from home movies

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Mrs Doubtfire, Shaftesbury Theatre review - bold musical makeover of the hit comic film

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The Change, Channel 4 review - beguiling feminist comedy with a stellar cast

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'We are bowled over!' Thank you for your messages... ...
The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...