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Emma Simmonds

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Bio
Emma is a film and TV critic whose words have appeared in Time Out, Radio Times, The Observer, Empire, Total Film, Little White Lies, The Spectator, Virgin Movies, MovieMail and Popmatters, amongst many others. She is also a contributor to the London, New York and Glasgow volumes of the World Film Locations book series. She is The List magazine's current Film Reviews Editor and The Arts Desk's former Film Editor.

Articles By Emma Simmonds

Casa de mi Padre

Thursday, 07 June 2012 Read more...

The Angels' Share

Friday, 01 June 2012 Read more...

Moonrise Kingdom

Wednesday, 23 May 2012 Read more...

The Raid

Tuesday, 15 May 2012 Read more...

Dark Shadows

Friday, 11 May 2012 Read more...

Avengers Assemble

Thursday, 26 April 2012 Read more...

BFI celebrates ‘The Genius of Hitchcock’ in a major new retrospective

Wednesday, 18 April 2012 Read more...

The Cabin in the Woods

Monday, 09 April 2012 Read more...

Le Havre

Thursday, 05 April 2012 Read more...

BFI Southbank Preview: Made in Britain

Saturday, 31 March 2012 Read more...

Tiny Furniture

Wednesday, 28 March 2012 Read more...

Into the Abyss: A Tale of Death, A Tale of Life

Monday, 26 March 2012 Read more...

DVD: Weekend

Tuesday, 20 March 2012 Read more...

Once Upon a Time in Anatolia

Monday, 12 March 2012 Read more...

The Decoy Bride

Tuesday, 06 March 2012 Read more...

Rampart

Tuesday, 21 February 2012 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...