thu 15/05/2025

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Kolesnikov, Tsoy, Currie, Walton, Wigmore Hall review - mesmerising sonorities

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Peter Grimes, Bergen Philharmonic Orchestra, Gardner, RFH review - more instrumental than vocal intensity

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My Brilliant Friend, National Theatre review - sleek spectacle almost eats its characters

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Highgate International Chamber Music Festival opening concert review - top soloists blend to perfection

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Henry VI, Sam Wanamaker Playhouse review - a lively vortex

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Wang, Los Angeles Philharmonic, Dudamel, Barbican review - much more than glitz and glamour

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O/Modernt Soloists, Sonoro Ensemble, Wimbledon International Music Festival review - pure instrumental poetry

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Roméo et Juliette, LSO, Tilson Thomas, Barbican review - surprisingly sober take on Berlioz epic

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Shadows, Coronet Theatre review - talking heads in the void

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His Dark Materials, BBC One review - generic TV fantasy with ready-made twists

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A Prayer for Wings, King's Head Theatre review - claustrophobic mother-daughter drama soars

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Daniil Trifonov, RFH review - devil in the works

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The Apostles, LPO, Brabbins, RFH review - Elgar's melancholy New Testament snapshots

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Imogen Cooper 70th Birthday Concert, Wigmore Hall review - outwardly austere, lit from within

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London Symphony Orchestra and Chorus, Ono, Barbican review - feet on the ground, eyes to the skies

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The Mask of Orpheus, English National Opera review - amorphous excess

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

1536, Almeida Theatre review - fast and furious portrayal of...

Ava Pickett’s award-winning début play, 1536, is a foul-mouthed, furious, frenetically funny ride through the lives of three young women...

The Comedy About Spies, Noel Coward Theatre review - 'G...

From the creative team that brought you The Play That Goes Wrong in 2012 (and assorted sequels) comes this spy caper. As ever...

Album: Billy Nomates - Metalhorse

Metalhorse is a concept album that uses visions of a dilapidated funfair as a metaphor for life’s various ups and downs. It especially...

House of Games, Hampstead Theatre review - adapted Mamet scr...

There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the...

Karim Said, Leighton House review - adventures from Byrd to...

William Byrd, Arnold Schoenberg and their respective acolytes go cheek by jowl, crash into one another, soothe, infuriate and shine in their very...

Album: MØ - Plæygirl

Danish singer MØ is a paradox. Initially she appeared to be another Scandi electro-pop princess of the bangers. The monster 2015 hit “Lean On”...

Stile Antico, Wigmore Hall review - a glorious birthday cele...

There was a wonderful festal spirit at the Wigmore Hall last night, as the vocal ensemble Stile Antico ran through a Greatest Hits selection in...

PUP, SWG3, Glasgow review - controlled chaos from Canadian p...

According to PUP lead singer Stefan Babcock, the Toronto foursome practiced together a grand total of twice before embarking on their current UK...

Zoe Lyons, Touring - midlife, without the crisis

Zoe Lyons knows her audience; as a few shoutouts confirmed, many of them are long-time fans, and have had lives with similar highs and...