wed 18/06/2025

David Kettle

Articles By David Kettle

Dear Billy, Traverse Theatre, Edinburgh review - powerful tribute to Scottish pride

Read more...

Anna Karenina, Lyceum Theatre, Edinburgh review - nimble, sweary staging of Tolstoy's iconic novel

Read more...

Macbeth (an undoing), Lyceum Theatre, Edinburgh - audacious update of the Scottish play

Read more...

James IV: Queen of the Fight, Festival Theatre, Edinburgh review - revelatory historical drama

Read more...

The End of Eddy, Edinburgh International Festival 2022 review - powerful but lacking compassion

Read more...

Edinburgh Fringe 2022 review: The Stones

Read more...

Edinburgh Fringe 2022 reviews: Ode to Joy / Wilf

Read more...

Room, Edinburgh International Festival 2022 review - decadent, extravagant, and somewhat mystifying

Read more...

Counting and Cracking, Edinburgh International Festival 2022 review - ambitious, powerful, but sadly under-attended

Read more...

Edinburgh Fringe 2022 reviews: Temping / Work.txt

Read more...

Edinburgh Fringe 2022 reviews: Every Word was Once an Animal / Tim Crouch: Truth’s a Dog Must to Kennel

Read more...

Edinburgh Fringe 2022 reviews: The Last Return / Psychodrama / Exodus

Read more...

Burn, Edinburgh International Festival 2022 review - bold, risky, sometimes baffling

Read more...

Edinburgh Fringe 2022 reviews: Boy / Intruder|Intruz

Read more...

Edinburgh Fringe 2021: Screen 9

Read more...

Edinburgh Fringe 2021: Still

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...