West End
Inadmissible Evidence, Donmar WarehouseWednesday, 19 October 2011
John Osborne was the great founding father of contemporary new writing for the theatre. In 1956, his Look Back in Anger changed British drama for ever, and his subsequent work explored the subjects of failure and national identity in language that... Read more... |
Jerusalem, Apollo TheatreTuesday, 18 October 2011
So it's back, then. Garlanded with awards, lionised in London and on Broadway, Jerusalem starring Mark Rylance returns to the West End for a limited run, in the same production and with many members of the earlier cast(s). Is this an opportunistic,... Read more... |
Cabaret New Burlesque - new arty raunch direct from ParisThursday, 13 October 2011
We know (we have the analytics) that quite a few TAD readers are not averse to a bit of arty burlesque – our candid interview with striptease artist Ursula Martinez was read by many thousands. The latest contenders in the burgeoning titillation... Read more... |
The Pitmen Painters, Duchess TheatreWednesday, 12 October 2011
Is there something remarkable about a group of working-class men learning to paint? You may think there is, or you may think there isn’t. You may think that anyone with very little formal education learning to do any of the things associated with... Read more... |
Backbeat, Duke of York's TheatreTuesday, 11 October 2011
It’s obviously a coincidence. Backbeat, the story of The Beatles’ Hamburg days, their ill-fated bassist and John Lennon's art-school mate Stuart Sutcliffe hits the West End the same week that Martin Scorsese's George Harrison documentary Living in... Read more... |
Driving Miss Daisy, Wyndham's TheatreThursday, 06 October 2011
You can accuse Alfred Uhry's 1987 play Driving Miss Daisy of many things – being overtly sentimental is top of the charge sheet – but you certainly cannot claim that it’s a case of false advertising. Even if, like this critic, you missed the... Read more... |
Cool Hand Luke, Aldwych TheatreTuesday, 04 October 2011
The human spirit won't be easily vanquished, or so we're led to believe from Cool Hand Luke, which in itself should provide succour to those trapped at this stage adaptation of the novel that inspired the movie - still with me? - in the days and... Read more... |
Broken Glass, Vaudeville TheatreTuesday, 20 September 2011
Arthur Miller is one of those geniuses whose plays are metaphor-rich even when their storytelling is slow. First staged in 1994, Broken Glass is surely his best late-period drama, and this revival, directed by Iqbal Khan, arrives in the West End... Read more... |
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