Visual arts
George Catlin: American Indian Portraits, National Portrait GalleryThursday, 07 March 2013
Scores of reddish-bronze skinned men, and a few women and children, in full regalia, festooned in face paint, feathers, jewellery and decorations of all kind. They stare out at us, impassive and imperturbable, immortalised by George Catlin (1796-... Read more... |
Federico Barocci: Brilliance and Grace, National GalleryThursday, 28 February 2013
Federico Barocci, who he? According to the National Gallery, a great Renaissance, mannerist and Baroque painter hardly known outside Italy, the National’s own Madonna of the Cat his only easel painting in a public collection in the UK... Read more... |
Chuck Close, White Cube BermondseyWednesday, 27 February 2013New print works by the America photorealist painter. Until 21 A pril http://bit.ly/VPLMxt Read more... |
Lichtenstein: A Retrospective, Tate ModernTuesday, 19 February 2013
Towards the end of Tate Modern’s retrospective of Roy Lichtenstein, there is a small abstract painting, Untitled, 1959, executed just before the artist found himself at the heart of the Pop Art movement. The painting is, by any measure, a failure.... Read more... |
The Bride and the Bachelors, Barbican Art GalleryMonday, 18 February 2013
It is often argued that Marcel Duchamp is the single most influential artist of the 20th century, and that Fountain, the porcelain urinal he signed R. Mutt and presented to the world in 1917, the single most influential artwork. But that’s not... Read more... |
Becoming Picasso: Paris 1901, Courtauld GalleryMonday, 18 February 2013
In Yo Picasso!, a self-portrait from 1901 (pictured below, Private Collection), the 19-year-old Picasso is already projecting an inimitable bravura, emphasised by his dashing orange cravat. He looks out at us with that mesmerising and legendary,... Read more... |
Interview: Artist Richard WentworthThursday, 14 February 2013
Richard Wentworth is the eminence not-so-grise of British contemporary art. The perpetually youthful sculptor’s activities span an extraordinary range of eras and ideas: serving as a teenage assistant to Henry Moore in the Sixties; building sets for... Read more... |
Video: The Arts Desk/London Art Fair DebateTuesday, 12 February 2013
Matthew Collings was snowed in in Norfolk, so was sadly unable to join us, but the weather didn’t defeat The Arts Desk/London Art Fair debate. The Art Newspaper’s market expert Melanie Girles and TAD critic Mark Hudson rose to the challenge, while I... Read more... |
Through American Eyes: Frederic Church and the Landscape Oil Sketch, National GalleryFriday, 08 February 2013
Pre-Raphaelites, eat your heart out; and wherever he is, John Ruskin, once so dismissive of the artist, must be beaming with pleasure. The American landscape painter Frederic Church (1826-1900) was indeed seen as the heir to Turner, and his distinct... Read more... |
Man Ray Portraits, National Portrait GalleryThursday, 07 February 2013
Travelling through Canada by train – more decades ago than I care to divulge here – I bought a book of Man Ray photographs at Banff in the heart of the Rockies. I spent the rest of the journey with one eye on the majestic mountains, and the other... Read more... |
Ice Age Art: Arrival of the Modern Mind, British MuseumWednesday, 06 February 2013
Prehistory – human life before written language - enters art’s mainstream with this seminal and eye-opening exhibition. This one-off show, amplified by excellent labelling and atmospheric lighting, is enormously ambitious: the largest... Read more... |
Carl Andre: Mass and Matter, Turner ContemporaryWednesday, 06 February 2013Read more... |
