tragedy
Hamlet, National TheatreFriday, 08 October 2010
The National Theatre’s new production of Hamlet is both a very good Hamlet, yet also a somehow disappointing one. For a work so rich in possibilities, with so much emotion, so much superb and intricate engineering, it is often like this, in England... Read more... |
My Son, My Son, What Have Ye DoneSaturday, 11 September 2010
For 15 years after the death of his demon muse Klaus Kinski, Werner Herzog made documentaries about equally obsessive visionaries, climaxing five years ago with Grizzly Man’s tale of Timothy Treadwell, who loved and was eaten by bears. Though the... Read more... |
The House of Bilquis Bibi, Hampstead TheatreTuesday, 27 July 2010
What makes a good piece of theatre? Is it the atmosphere generated? Is it the acting? Or is it the ability to communicate ideas clearly? I don’t mind if sometimes I can’t hear or understand words. In the past, I have been overwhelmed by Polish... Read more... |
The Duchess of Malfi, ENO, PunchdrunkWednesday, 14 July 2010
It's tough being a critic. There I was last night at Punchdrunk's first operatic foray, The Duchess of Malfi - put on in collaboration with the English National Opera - trying to make sense of a typically Punchdrunkian world that had been shattered... Read more... |
La Traviata, Royal OperaThursday, 08 July 2010
Of course she isn't now the watchful, learning 29-year-old who premiered Covent Garden’s opulent, sensually loaded production in 1995, but Gheorghiu’s varicoloured voice - a rainbow of tears, sobs, scoops, warbling runs and top notes that seem to... Read more... |
Lulu, Gate TheatreThursday, 17 June 2010
What kind of play is Frank Wedekind's Lulu? The answer is a very odd one, with a fractured writing history. Wedekind subtitled his original five-act exploration of raw femininity, in 1894, "A Monster Tragedy", then divided it into two: Earth Spirit... Read more... |
Like a Fishbone, Bush TheatreMonday, 14 June 2010
One of the many absent friends in contemporary British drama is the play that tackles questions of religious belief. At a time when more and more people take their faith more and more seriously, this lacuna at the heart — or should that be soul? —... Read more... |
The Crucible, Regent's Park Open Air TheatreFriday, 04 June 2010
Usually a seasonal home for the pastel-coloured delights of drawing-room farce, musical comedy and the odd Shakespeare pastoral, Regent’s Park Open Air Theatre is this year offering a programme of rather darker hue. With Macbeth to follow later in... Read more... |
All My Sons, Apollo TheatreThursday, 27 May 2010
A young Arthur Miller wrote this highly moralistic, redemption-seeking play soon after the Second World War, a parable about an older generation’s dubious pragmatic principles versus the bewildered idealism of their children who were Miller’s... Read more... |
Women Beware Women, National TheatreTuesday, 27 April 2010
The recent fuss about British culture being anti-Catholic just because some civil servant wrote a spoof memo satirising the Pope’s upcoming visit may have been overblown, but it is certainly true that, in the past, Italy was a byword for rank... Read more... |
Katya Kabanova, English National OperaMonday, 15 March 2010
It's amazing how much you can tell of what lies ahead from the way a conductor handles a master composer's first chord. Katya Kabanova's opening sigh of muted violas and cellos underpinned by double basses should tell us that the Volga into which... Read more... |
Sweet Nothings, Young VicFriday, 05 March 2010
Arthur Schnitzler belonged to a culture of inquiry and experiment, in which dreams and desire were crying out to be articulated and delineated; sexual needs were the unexplored stuff of life - how well Vienna painters like Klimt and Schiele knew... Read more... |
