tragedy
Carmen, Welsh National OperaSaturday, 20 September 2014
Popularity is all very well, but it can be a poisoned chalice. Braving the umpteenth revival of Carmen at WNO (original directors Patrice Caurier and Moshe Leiser, revival director Caroline Chaney), I began to experience that sense of weariness that... Read more... |
Prom 59: Elektra, BBC Symphony Orchestra, BychkovMonday, 01 September 2014
How much familial dysfunction and lust - whether for sexual gratification or revenge - can one take in a single weekend? Salome and Elektra back-to back may on paper seem like a feast of divine decadence but no sooner had one become accustomed to... Read more... |
Prom 28: D'Orazio, Clayton, BBCSO, OramoFriday, 08 August 2014
All kinds of narratives were at play in this Prom from the BBC Symphony Orchestra and its Principal Conductor Sakari Oramo - and perhaps the truly adventurous programmer might have double-deployed Rory Kinnear, dispassionately chronicling Stravinsky... Read more... |
Idomeneus, Gate TheatreWednesday, 25 June 2014
Let's say Greek tragedies exist in a multiverse where the same stories play out simultaneously in thousands of ways. And let's say we're given free rein to argue over those stories, debate their morals and characters and disagree fundamentally over... Read more... |
Power, London Philharmonic Orchestra, Jurowski, Royal Festival HallThursday, 16 January 2014
Baleful prophecies were rife before the concert. Was Vladimir Jurowski right to let Mahler’s only total tragedy among his symphonies, the Sixth, share the programme with anything else, least of all a new viola concerto in which the solo instrument’s... Read more... |
Peter Grimes, LPO, Jurowski, Royal Festival HallSunday, 29 September 2013
For Londoners unable to travel up to Aldeburgh – or, now, to Leeds for the revival of Phyllida Lloyd’s Opera North production – this was the only chance in Britten centenary year to be blitzed by his seminal masterpiece. After the phenomenal success... Read more... |
Elektra, Royal OperaTuesday, 24 September 2013
“Strike again,” cries Elektra as her brother stabs their mother to death. It’s third strike lucky for this Covent Garden production of Richard Strauss and Hugo von Hofmannsthal’s singular mythic horror. In previous manifestations of designer-... Read more... |
Macbeth, Shakespeare's GlobeFriday, 05 July 2013
This is the directorial debut of Eve Best, better known as a talented classical and comedic actress, who was last at Shakespeare's Globe appearing as Beatrice in a superb Much Ado About Nothing opposite Charles Edwards's Benedick.Best's reading... Read more... |
Monteverdi Choir, London Symphony Orchestra, Gardiner, Barbican HallFriday, 26 April 2013
Backed up by reasonably adventurous orchestral programming, lucky conductors can forge a strong Stravinsky evening by picking and mixing from his five ancient Greek rituals. Sir John Eliot Gardiner, unintentionally homaging the late Sir Colin Davis... Read more... |
The Trojan Women, Gate TheatreTuesday, 13 November 2012
Not even a cameo by Tamsin Greig can redeem this painful adaptation of Euripides' The Trojan Women. For an hour and a half it screams with anguish, verging at times on the parodic. The production is a puzzle. Caroline Bird has updated the... Read more... |
Berenice, Donmar WarehouseWednesday, 03 October 2012
It’s not often that the works of 17th-century French classicist playwright Jean Racine make an appearance in the West End, and you can’t fault the ambition of the Donmar’s artistic director, Josie Rourke, in bringing us this new version of his... Read more... |
Globe to Globe: King Lear, Shakespeare's GlobeSunday, 20 May 2012
Like a post-Soviet Oedipal X-Factor, the Belarus Free Theatre on Friday night gave one of the greatest productions of King Lear London has ever seen. Forget our local Lears, with naked theatrical knights and casts in emotional straitjackets: this... Read more... |
