wed 14/05/2025

Sweden

Queer as Pop, Channel 4 / The Joy of Abba, BBC Four

Queer as Pop (****) was as much about social as musical history, and Nick Vaughan-Smith’s film told its story with a combination of outstanding archive material and some incisive interviewees, the archive taking fractionally more of the weight....

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Don't Ever Wipe Tears Without Gloves, BBC Four

The bleak opening of Don’t Ever Wipe Tears Without Gloves is set in a nursing home where a man is dying of AIDS, tended by nurses who themselves know next to nothing of the disease. The phrase one nurse utters as a warning gives this Swedish drama...

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Reissue CDs Weekly: Madness, ABBA

Madness: Take it or Leave itIn 1981, Madness followed The Beatles, Slade and The Sex Pistols by playing versions of themselves in a film. Take it or Leave it is no masterpiece, but it is hugely entertaining. At the time, surprisingly, a soundtrack...

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LFF 2013: We Are the Best!

The Lukas Moodysson who made Together in 2000 has been missing in action ever since. Its charmingly optimistic look at a Seventies Swedish commune and tremendous use of Abba was followed by severe and sometimes experimental films, self-flagellating...

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theartsdesk in Stavanger: A touch of Fröst

Three great pianists, one of the world’s top clarinettists and two fine string players in a single concert: it’s what you might expect from a chamber music festival at the highest level. What I wasn’t anticipating on the first evening in Stavanger...

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Easy Money

Based on Jens Lapidus's novel Snabba Cash (great title, even if it is meaningless to English-speakers), Easy Money is yet further evidence of the allure of the Scandi way of looking at the world. It's ostensibly a crime thriller, featuring healthy...

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Borgen's Birgitte Opens London Nordic Festival

It’s more pulse-quickening than a visit from Denmark’s actual prime minister Helle Thorning-Schmidt. This weekend Sidse Babett Knudsen, Borgen’s Statsminister Birgitte Nyborg, arrives in London to open Nordicana, an event dedicated to the ever-...

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Dances of Death, Gate Theatre

There are two dances to unheard music in Howard Brenton’s pithy Strindberg reduction. One spells trouble for the interloper between the vampire couple who suck the blood of others to sustain their 30-year hell of a marriage; the other, in the rarely...

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CD: Club 8 - Above The City

Pop that summons the word “cute” has a tendency to nauseate. If executed with the correct ratio of candy to content, however, it may persuade. The Scandinavians have proved effective in this area and Jonas Angergård and Karolina Komstedt, from the...

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CD: Agnetha Fältskog – A

Anything said about A won’t affect its sales. Guaranteed to sell millions, it’s the first album from ABBA’s former singer since 2004’s all-covers set, My Colouring Book. It’s also the first to contain original material since the one which preceded...

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The Knife, Roundhouse

Nine people are on stage. Male and female. None is singing. All are dancing. No instruments are being played. For a 20-minute, three-song segment of Swedish art-dance electro-tricksters The Knife’s London show the sound was of a live concert, but...

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Mamma Andersson / Andreas Eriksson, Stephen Friedman Gallery

With their curious juxtapositions and scrambling of pictorial space a dream-like atmosphere is conjured in Mamma Andersson’s paintings. Her scenes are often confined to the domestic or everyday realm, but, even when peopled, suggest something closer...

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