sun 17/08/2025

Shostakovich

Prom 21: Hope, BBC National Orchestra of Wales, Søndergård

The “Turning Point” in Colin Matthews’ so-named orchestral piece is a change of attitude, a sudden seriousness of purpose, a great effort of will to stop moving and take stock of where it - whatever it is - is going. That Matthews did actually stop...

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Ma, LSO, Tilson Thomas, Barbican Hall

What rare luxury. A three-concert series from the London Symphony Orchestra and their Principal Guest Conductor Michael Tilson Thomas is lure enough, but add three collaborations with Yo-Yo Ma as soloist and you have to rope off a special area in...

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Classical CDs Weekly: Scodanibbio, Shostakovich, Nigel Kennedy

 Stefano Scodanibbio: Reinventions for string quartet Quartetto Prometeo (ECM)Stefano Scodanibbio (1956-2012) was an Italian double bass player and composer. As a bassist, the likes of Brian Ferneyhough and Iannis Xenakis wrote for him. On this...

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Ballet Black, Linbury Studio Theatre, Royal Opera House

Ballet Black open their eighth Linbury Studio Theatre season with a quadruple bill of new works which looks promising on paper but less so in actuality. The evening begins with Robert Binet’s EGAL, the title being a (now obsolete) Middle English...

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Gerstein, Philharmonia Orchestra, Gardner, Royal Festival Hall

You don’t have to live under a totalitarian regime to write music of profound anguish. I was driven to argue the point at a Shostakovich symposium when an audience quizzer took issue with my assertion that Britten could go just as deep as the...

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Classical CDs Weekly: Mompou, Shostakovich, Stravinsky

 Volodos plays Mompou Arcadi Volodos (piano) (Sony)This is excellent, and a brilliant introduction to an under-appreciated composer. Frederic Mompou spent most of his long life in Barcelona, dying there aged 94 in 1987. The piano pieces...

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Galina Vishnevskaya on Britten and his War Requiem

One of Russia’s greatest and most inspirational sopranos, Galina Vishnevskaya died on 11 December at the age of 86. To the world at large, she will probably be most famous for taking an heroic stand alongside her husband, cellist and conductor...

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Concerto/ Las Hermanas/ Requiem, The Royal Ballet

With a reputation as the prince of unflinching emotional catharsis, Kenneth MacMillan emerged from the Royal Ballet’s triple bill marking the 20th anniversary of his death as a lord of lyricism. The new bill presents MacMillan three ways, his...

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War and Peace: Russian National Orchestra, LPO, Jurowski, Royal Festival Hall

Can two half-orchestras playing together ever be better than one well-established organism? The second and third concerts in yet another special project masterminded by Vladimir Jurowski, drawing together British and Russian perspectives on war and...

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Coote, BBCSO, Saraste, Barbican Hall

Somehow the manic cry of “Scooby-Doo man!” from the back of the stalls didn’t seem too incongruous. We were in the thick of Shostakovich’s craziest symphony, the Fourth, composed in the mid 1930s when such maverick Russian talent was about to be...

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Classical CDs Weekly: Gál, Schumann, Shostakovich, Tiomkin

 Hans Gál: Symphony No 4, Schumann: Symphony No 2 Orchestra of the Swan/Kenneth Woods (Avie)Hans Gál’s four symphonies are being slowly rehabilitated, thanks in part to Avie’s ongoing series. An Austrian Jew who eventually settled in Edinburgh...

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BBC Proms: City of Birmingham Symphony Orchestra, Nelsons

It is a rare treat for Londoners to have the CBSO with Andris Nelsons in town, and the Albert Hall was, if not fully sold out, then certainly well stocked. It would be fair to assume that the main draw was Shostakovich’s giant and much-debated...

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