satire
The Comic Strip Presents: The Hunt for Tony Blair, Channel 4Saturday, 15 October 2011
As this rampant return to our screens repeatedly underlined, one of the great joys of watching The Comic Strip throughout its 30-year frenzy of frantic - if intermittent - silliness has been never knowing what precise manifestation of oddness lurks... Read more... |
The Greatest Movie Ever SoldWednesday, 12 October 2011
A movie about advertising and product placement entirely paid for by advertising and product placement? It's a Koh-i-Noor diamond of a concept, and zealous documentarian Morgan Spurlock has applied himself to his task with the efficiency of a... Read more... |
Phaedra’s Love, Arcola TheatreSaturday, 01 October 2011
It’s a strange fact that very few plays look at the subject of contemporary British royalty. The past yes, but today very seldom. A notable exception is 1990s playwright Sarah Kane’s visceral account of a fictional royal family in her 1996 play,... Read more... |
Mongrel Island, Soho TheatreThursday, 21 July 2011
Imaginative plays that explore the expanses of inner space are all the rage at the Soho Theatre this summer. First there was a superb revival of Anthony Neilson’s Realism, which puts on stage the thoughts of one man during a solitary Saturday, then... Read more... |
Loyalty, Hampstead TheatreThursday, 21 July 2011
Can journalists write good plays? Sarah Helm has been a Washington correspondent for The Independent during the first Gulf War in 1990, reported from Baghdad in the mid-1990s, and was based in Jerusalem for three years. So her debut play about the... Read more... |
theartsdesk MOT: Yes, Prime Minister, Apollo TheatreMonday, 18 July 2011
Situation comedy relies on strong brands, and some ideas just run and run. Yes, Prime Minister is the stage version of the long-running 1980s BBC television shows Yes Minister and Yes, Prime Minister, which memorably starred Nigel Hawthorne and Paul... Read more... |
The Beggar's Opera, Regent's Park Open Air TheatreTuesday, 28 June 2011
John Gay’s 1728 satirical drama was the first ballad opera. The vernacular work not only cocked a snook at the Italian operas that were so in vogue in 18th-century London, but it also lampooned Whig politician Sir Robert Walpole and the British love... Read more... |
Where’s My Seat?, Bush TheatreFriday, 17 June 2011
They say that moving home is always traumatic. So the Bush Theatre in west London must be feeling a wee bit fragile because it has recently upped sticks and taken up residence in the Old Shepherds Bush Library building just around the corner from... Read more... |
Government Inspector, Young VicFriday, 10 June 2011
It's not often in classic comedy that you cry with laughter at the opening gags, and even rarer that the final scene of perfectly orchestrated ensemble acting actually crowns the work. More than two decades on from his groundbreaking Old Vic... Read more... |
American Trade, Hampstead TheatreWednesday, 08 June 2011
Some theatre genres seem indestructible. One of these is the satirical city comedy, for which playwrights dip their pens in poison and spray their venom over the teeming mass of the shallow, the stupid and the successful. When they do this today,... Read more... |
The School for Scandal, Barbican TheatreSaturday, 21 May 2011
"There’s no possibility of being witty without a little ill-nature,” preaches the Gospel according to Richard Brinsley Sheridan. What the playwright omits to mention, however, is that it is possible to be ill-natured without in fact being terribly... Read more... |
Stewart Lee's Comedy Vehicle, BBC TwoWednesday, 04 May 2011
One of the great pleasures of being a critic is watching a career develop, and Stewart Lee’s is one that I’ve had the pleasure of, so to speak, for many years. I’m not a Stewart Lee completist but I enjoyed his early days on television with comedy... Read more... |
