Russia
Proms 25 / 26 review - Russian masters, noodling guitar, late-night perfectionFriday, 03 August 2018
Sometimes the more modestly scaled Proms work best in the Albert Hall. Not that there was anything but vast ambition and electrifying communication from soprano Anna Prohaska and the 17-piece Il Giardino Armonico under Giovanni Antonini, making that... Read more... |
Panorama: Putin's Russia with David Dimbleby, BBC One review - jolly football weatherThursday, 14 June 2018
There was a lovely moment at the beginning of this Panorama where David Dimbleby was chatting to a schoolgirl – not just any schoolgirl actually, because she came from a family of 10 children, which surely makes her a bit out of the ordinary, even... Read more... |
Life and Fate / Uncle Vanya, Maly Drama Theatre, Theatre Royal Haymarket review - the greatest ensemble?Wednesday, 16 May 2018
Towards the end of the Maly Drama Theatre of St Petersburg's Life and Fate, a long scene in director Lev Dodin's daring if necessarily selective adaptation of Vasily Grossman's epic novel brings many of the actors together after a sequence of... Read more... |
Describe the Night, Hampstead Theatre review - epic take on the mythology of PutinFriday, 11 May 2018
Five years ago, when New York playwright Rajiv Joseph started on his fantasy disquisition on truth, lies and the recent history of Russia, no one was talking about a new Cold War and trump was still a thing you did in a game of cards. Now, at the... Read more... |
Homeland, Series 7 Finale, Channel 4 review - Russian rouletteMonday, 07 May 2018
In a manner uncannily reminiscent of last year’s Season 6, this latest edition of Homeland spent at least half the series trying to get warmed up for the dash to the tape over the final furlongs. Viewers finding themselves slipping into a catatonic... Read more... |
Nikolai Lugansky / Pavel Kolesnikov, Wigmore Hall review - lucidity and depth from two master pianistsTuesday, 01 May 2018
Reaching for philosophical terms seems appropriate enough for two deep thinkers among Russian pianists (strictly speaking, Kolesnikov is Siberian-born, London-based). In what Kant defined as the phenomenal world, the tangible circumstances, there... Read more... |
Eugene Onegin, Scottish Opera review - sweepingly sumptuous TchaikovskySaturday, 28 April 2018
It’s 25 years since Tchaikovsky’s Eugene Onegin last came to the Scottish Opera stage, and this brand new production, directed by Oliver Mears, DIrector of Opera at The Royal Opera, gives the stirring score a stately yet elusive grandeur. Based on... Read more... |
Classical CDs Weekly: Borgström, Shostakovich, Tchaikovsky, Alec Frank-GemmillSaturday, 28 April 2018
Borgström: Violin Concerto, Shostakovich: Violin Concerto No. 1 Eldbjørg Hemsing (violin), Wiener Symphoniker/Olari Elts (BIS)Hjalmar Borgström sounds like the name of a BBC Four gumshoe, a melancholy detective solving crimes in downtown... Read more... |
Andsnes, LPO, Jurowski, RFH review - dazzling symphonic contrasts, plus odditiesThursday, 19 April 2018
Kudos, as ever, to Vladimir Jurowski for making epic connections. Not only did he bookend a rich LPO concert with two very different symphonies from the late 1930s by Stravinsky and Shostakovich; he also masterminded and attended the early evening... Read more... |
Occupied, series 2, Sky Atlantic review - political conflicts looking all too actualThursday, 19 April 2018
Eight months have passed since the Russians invaded Norway in the first season of Jo Nesbo’s neo-Cold War thriller. Real-life events have only made Occupied seem more relevant. Like Conrad’s novel Under Western Eyes, it dramatises the clash between... Read more... |
Blu-ray: Andrey Zvyagintsev - The Return / The BanishmentTuesday, 17 April 2018
Andrey Zvyagintsev is without doubt one of the great film-makers of our time. If you only know Leviathan, it's about time you looked at the rest of his considerable oeuvre. What is it about Russian cinema? Since the 1920s, Russia has brought us a... Read more... |
Lady Macbeth of Mtsensk, Royal Opera review - bleak rigour and black comedy still cast a spellFriday, 13 April 2018
Anyone who's seen Richard Jones's rigorous production before will remember the makeover – Katerina Izmailova, bored and brutalised housewife released by sex and murder from her shackles, having her drab bedroom expanded and redecorated in deliberate... Read more... |
