sun 11/05/2025

RSC

Little Eagles, Hampstead Theatre

Reach for the sky: Darrell D’Silva as Sergei Pavlovich Korolyov in ‘Little Eagles’

Space is a great subject for theatre. I’m not sure why but it might be something to do with the contrast between the irreducible groundedness of live performance and the imaginary flights of fancy that the audience yearns to take. Whatever the...

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Rona Munro on writing Little Eagles

My latest play, Little Eagles, marks the 50th anniversary of cosmonaut Yuri Gagarin’s first orbit around the Earth. Gagarin’s place in history is, quite rightly, assured but little is known about Sergei Korolyov, a brilliant engineer and the chief...

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Interview: Actor James Purefoy

James Purefoy: 'When you’re an actor you’re constantly walking this tightrope of being lauded one minute and completely humiliated the next'

A disproportionate number of column inches seem to have been devoted to James Purefoy’s matinee-idol looks, his ability to carry off a pair of breeches and the amount of time he appears on television naked. However, while he has admittedly spent...

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King Lear, RSC, Roundhouse

But this comes at the expense of scale, both in characterisation - Jacobi is also simply too feathery - and in terms of space and time. We don't feel the outdoors at the Donmar, ever see and hear boorish Lear's knights, properly sense the passage of...

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Kathryn Hunter withdraws from RSC productions

Kathryn Hunter: The visionary actress leaves it to her understudies to play Cleopatra

Even at the time it seemed a little strange: the visionary Kathryn Hunter as an oddball Cleopatra in a production that hardly seemed up to the mark either of her performing standards or of her own fabulous Shakespeare staging, a Pericles which was...

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As You Like It, RSC, Roundhouse

Star-cross(dressed) lovers: Orlando (Jonjo O'Neill) gets to grips with Rosalind (Katy Stephens)

“Now go we in content. To liberty and not to banishment.” A touchstone to productions of As You Like It, Celia’s wishful recasting of the Forest of Arden can rarely pass unchallenged by directors. In 2009 we saw Michael Boyd’s RSC production go head...

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Julius Caesar, RSC, Roundhouse

Problematic in performance in a way that the “problem plays” simply aren’t, Shakespeare’s Roman plays remain some of his hardest to stage satisfactorily. Updated versions too often turn into Magritte-esque fantasies of identikit, suited politicos,...

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Royal Shakespeare Company, 2011 Season

The Royal Shakespeare Company celebrates its 50th birthday season with the grand reopening of its transformed Royal Shakespeare Theatre at a cost of £112.8 million. The temporary Courtyard Theatre folds curtains on the sold-out smash hit that is...

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Bah Humbug: Judi Dench - the greatest stage actor ever?

Seems we’re living through a silly season. There are rumours afoot that our PM’s Big Society is nothing other than a fig leaf for a chaos theory of how to run society, ie let the devil take the hindmost. And in the arts we’ve got theatre’s esteemed...

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The Winter's Tale, RSC/Roundhouse

A night when a fresh fall of snow was fluttering from the heavens could hardly have felt more fitting for the opening of this Shakespearean romance – particularly since David Farr’s production for the RSC, first seen in Stratford in 2009, so...

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Antony and Cleopatra, RSC/Roundhouse

For quirky authority in Shakespeare, Kathryn Hunter is surely up there with Mark Rylance. Her production of Pericles was one of the two best things I’ve seen at the Globe – Rylance in Twelfth Night being the other - her characterisations of Lear and...

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Matilda the Musical, RSC/Stratford-upon-Avon

A lot of ink gets spilled about the quest for the next great new British musical, which results in pedestrian endeavours - you know who you are - being elevated beyond all common sense. And now, along comes Matilda, a holiday entertainment about a...

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