Royal Albert Hall
Prom 25: Gerhardt, Komlósi, Relyea, RPO, DutoitThursday, 04 August 2016
"Let the song speak, I pray," exhorts the Bard in the Prologue to Duke Bluebeard’s Castle, "Listen in silence." This was a night for leaning in and listening closely, despite the large forces arrayed on stage for Dvořák’s Cello Concerto and Bartók’s... Read more... |
Prom 21: Leleux, Aurora Orchestra, CollonMonday, 01 August 2016
The Aurora Orchestra’s gimmick at Prom 21 was the same as in the last two seasons: playing a major classical symphony from memory. This was touted as an “astonishing feat” by the concert’s on-stage presenter Tom Service but, although unusual, is it... Read more... |
Prom 20: Roméo et Juliette, Monteverdi Choir, NYCoS, ORR, GardinerSunday, 31 July 2016
Like Prokofiev in his full-length ballet a century later, Berlioz seems to have been inspired by Shakespeare's Romeo and Juliet to bring forth his most compendious score. John Eliot Gardiner, who knows and loves every bar of light and shade in this... Read more... |
Prom 19: David Bowie PromSaturday, 30 July 2016
“I’m here, I’m here, I’m here,” sang John Cale in the droning voice of Major Tom. Whether the spirit of David Bowie was indeed hovering over the Albert Hall for this impromptu memorial late-night Prom is not easily answered. The shape-shifting Bowie... Read more... |
Prom 18: Mahler's Third Symphony, LSO, HaitinkSaturday, 30 July 2016
Few 87-year-olds would have the stamina to conduct over 100 minutes of Mahler. Bernard Haitink, though, has always kept a steady, unruffled hand on the interpretative tiller, and if his way with the longest of all the symphonies, the Third, hasn't... Read more... |
Prom 13: London Philharmonic Orchestra and Choir, JurowskiMonday, 25 July 2016
The last time I heard Beethoven's setting of Schiller's Ode to Joy in the finale of his Ninth Symphony, it was as European anthem at the end of this May's Europe Day Concert, and everybody gladly stood. That hopeful occasion was distinguished by... Read more... |
Prom 11: Wilson, Creswell, BBC National Orchestra and Chorus of Wales, WigglesworthSunday, 24 July 2016
It's not often you think you detect a future Brünnhilde in a soprano performing a great Verdi role, but that was the case when American Tamara Wilson made her UK debut last autumn as a stunning Leonora in the ENO production of Verdi's The Force of... Read more... |
Prom 9: Feola, Le Cercle de l'Harmonie, RhorerSaturday, 23 July 2016
It's never easy readjusting to the weird and sometimes wonderful acoustics of Albert's colosseum at Proms time, least of all when the first thing you hear there comes from a period-instrument band. Tuning in to Jérémie Rhorer's Le Cercle de l'... Read more... |
Prom 5: Missa Solemnis, BBCPO, NosedaWednesday, 20 July 2016
Even in a performance as well-organised as this one, masterminded by Gianandrea Noseda, there is still something of the codebook about the Missa solemnis. Its length and scale simultaneously attract devotion and repel the kind of affection drawn by... Read more... |
Prom 3: Crowe, OAE, CleoburyMonday, 18 July 2016
It is interesting to note how, in the space of a few short decades, so-called “period instrument” performances of classical music have moved from edgy experimentation to the mainstream of the tradition. In last night’s Prom, the Orchestra of the Age... Read more... |
Prom 2: Boris Godunov, Royal Opera, PappanoSunday, 17 July 2016
The Royal Opera’s Boris Godunov production made the short trip from Covent Garden to South Ken for the company’s appearance at the 2016 Proms. The opera (here in its original 1869 version) is a good choice for concert presentation: as Antonio... Read more... |
First Night of the Proms, BBCSO, Oramo, Gabetta, BorodinaSaturday, 16 July 2016
The first notes of the first night of the Proms weren’t the ones expected. Instead of either “God Save the Queen” or simply the start of the Tchaikovsky, the “Marseillaise” rang out into the Royal Albert Hall, the Tricouleur projected in coloured... Read more... |
